Her artwork has been shown in many exhibitions in Britain and abroad. She was runner-up in the Mother Goose Award for her illustrations in A Caribbean Dozen and has also received awards for book illustration in the United States.[3]
Reviewers have praised the wide range of media and styles which Felstead uses in her work, as well as the way they "realize and complement"[4] the texts. A Caribbean Dozen, one reviewer said, "is made even more attractive by the wide-ranging artwork of Ms. Felstead. Her styles sweep from collages to pastels, watercolors to oils to inks. Some illustrations are bold and primitive, others impressionistic."[5]The Circle of Days, an adaptation of Canticle of the Sun, is made "outstanding [by] .. the immediacy of Ms. Lindbergh's verse and the beauty of Ms. Felstead's collage paintings, which combine childlike cut-paper images with earthy watercolour and gouache backgrounds. Just like the writing, what at first appears simple is actually quite complex."[6] In Who Made Me?, a reviewer found, "The art matches the text in its mood--it, too, is reverent but childlike. Mixed-media illustrations combining paints with delicate cut-paper work, they capture the awe-inspiring vastness of the African landscape as well as the intimacy and warmth of Zanele's relationship to her homeland and her seven friends."[7] In Flamingo Dream, another reviewer said, "The art is a wonderful collage mix: objects, torn paper, and childlike drawings colored in pencil or crayon, echo the honesty and realism in the text and are exactly what this little girl would have drawn or collected."[8] One reviewer said about Earthshake - Poems from the Ground Up, "Felstead’s energetic collages of maps, tiny photocopied figures, colored pencil, and paint marvelously evocate action and mood."[9]
^ abGlassman, Molly Dunham (27 January 1995). "Winter books sure to warm the heart". The Baltimore Sun. Baltimore, Maryland. p. 4D. Retrieved 31 January 2019.