A team of Egyptian anti-narcotic agents led by Colonel Youssef Bey, the chief of the Anti-Narcotic Bureau, and his new assistant Lieutenant Mourad, recently relocated from Paris with his wife Marie, try to prevent shipments of drugs crossing the southern Egyptian border. They are constantly on alert as even camel caravans are suspect in smuggling narcotics.
The agents are investigating the murder of a rich Arab businessman named Bashiri. Raiding a berthed ship in the harbour of Port Saïd leads them to the trail of heroin smugglers, including Rico Pavlis and Lombardi. One of the police agents, Anna Michelis, is targeted by the smugglers.
Eventually Pavlis turns on his partner, killing Lombardi, but Youssef sets a trap for the Pavlis brothers, and the capture of the two remaining criminal gang leaders and their men, proves the police are competent at stemming the flow of narcotics.
The film was based on real cases worked on by the Egyptian police. Producer Maxwell Setton had been born in Cairo.[5] It was originally known as Poison Road and was made with the co-operation of the Egyptian government.[6]
The production was centred around Egypt where principal photography took place, and its cast included Egyptian film star Camelia, who died in 1950 in an aircraft crash.[7]
Reception
The film returned £112,000 to the producers meaning it made a profit.[1]
Cairo Road received a reasonably positive review from The New York Times, who called it an "unpretentious and consistently sensible little film... British restraint and taste not only have saved the day but succeeded in dignifying a battered subject... this routine picture has some sterling ingredients."[8]
The critic from Variety said "action moves slowly in the first half and much of the story is veiled so as to obscure the plot. However, it winds up with a meaty climax."[9]
In a review in the Time Out Film Guide by Trevor Johnston, Cairo Road is described as "a workaday thriller, whose makers actually took the trouble to go to Cairo and Port Said to shoot it. Twenty-something Harvey makes an early appearance as Inspector Portman's bumbling, keen-as-mustard assistant."[10]
References
Notes
^ abChapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 102. Income is producer's share of receipts.
^Porter, Vincent. "The Robert Clark Account." Historical Journal of Film, Radio and Television, Vol. 20, No. 4, 2000, p. 493.