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Border Devils
Border Devils
Directed by	William Nigh
Written by	Harry L. Fraser
Produced by	Louis Weiss; George M. Merrick; Alfred T. Mannon
Starring	Harry Carey; Kathleen Collins; Gabby Hayes
Cinematography	William H. Dietz
Edited by	Holbrook Todd
Production; companies	Supreme Features, Inc.
Distributed by	State Rights
Release date	April 4, 1932;
Running time	63 or 65 minutes
Country	United States
Language	English

Border Devils is a 1932 pre-Code American Western black and white sound film directed by William Nigh and starring Harry Carey, Kathleen Collins, and Gabby Hayes.^[1] The film is Collins's last role and her only sound film.^{[citation needed]}

Plot

A man, Jim Gray, is wrongfully put in jail; he escapes to prove his innocence and reveal the real criminal. In the process, Gray discovers a second criminal who has been working behind the scenes with the more obvious villain.^[2]

Cast

Harry Carey as Jim Gray
Kathleen Collins as Marcia Brandon
Gabby Hayes as Dude Sanders
Niles Welch as Tom Hope
Olive Carey as Ethel Denham
Albert J. Smith as Inspector Bell
Merrill McCormick as Jose Lopez
Art Mix as Bud Brandon
Tetsu Komai as The General

Production

Script

The film was written by Harry P. Crist ( credited for "script and continuity' under this pen name is the American director Harry Fraser^[3]). The story was based upon the novel Dead Man's Shoes,^[4] by Murray Leinster.^[3]

Shooting

According to a contemporary issue of The Film Daily, certain scenes were filmed in Palm Springs, California.^[1]

Cast

The film features Gabby Hayes in one of his earliest credited roles, a sidekick figure that would become his signature character.^[5]

Release

Border Devils was theatrically released in the United States on April 4, 1932.^[1] The film was released on DVD in August 2011 by Alpha Video.^[6]

Themes

This film has been noted for the unexpected presence in a Western, of Yellow Peril themes, embodied in the character of the villain, a mysterious 'oriental' criminal figure known as the General.^[3]^[7]^[5]

Commentators generally underline the weight of the original novel, a typical Leinster tale, in this adaptation: "the massive conspiracy that figures in his sci-fi, the shifting identity of the hero, and the generally peripatetic nature of the tale as our cowboy commandos shuttle hither and yon like horsing lot attendant."^[8]