Riley was born in 1971 in Chicago into a family of social justice organizers.[4] He is the son of Walter Riley, an African-American attorney, and Anitra Patterson, whose father was African-American and whose mother (Boots' maternal grandmother) was a Jewish refugee from Königsberg who fled Europe with her parents as a teenager in 1938.[4]
By the time Boots was one, his family had moved to Detroit, and when he was six they moved to Oakland,[4][5] where he later attended Oakland High School.[6] When the school faced cutbacks in the 1980s, 2000 of Oakland High's 2200 students protested by participating in a walkout organized by Riley and friends.[7] Interested in politics at a young age, Riley joined the International Committee Against Racism at age 14[8] and the radical Progressive Labor Party at age 15.[5]
Career
Music
Riley performing in 2007
The Coup
It has been suggested that portions of this article be split out into another article titled The Coup. (Discuss) (February 2019)
In 1991, Riley founded the political hip hop group The Coup with E-roc.[9] Alongside rappers Spice 1 and Mopreme Shakur (then known as Mocedes), they released a song on a 1991 compilation album called Dope Like a Pound or a Key, released by Wax That Azz Records.[10] Group DJ Pam the Funkstress joined the following year.[11] Riley was both chief lyric writer and music producer of The Coup's albums.
In 1993, E-40 released the video for "Practice Lookin' Hard", a song based around Riley's lyric, "I got a mirror in my pocket and I practice lookin' hard", from the song "Not Yet Free".[12] The video featured Riley singing the chorus while he, E-40 and Tupac Shakur reflected light into the camera from a handheld mirror while dancing around.[13]
In 1994, The Coup released their second album, Genocide & Juice, featuring guest appearances by E-40 and Spice 1. Fueled by video play and some radioplay for the single "Fat Cats and Bigga Fish", the album shot up the charts, but stalled when EMI absorbed Wild Pitch.[14] At this point, E-roc left The Coup on amicable terms.[15]
1998's Steal This Album, released on indie label Dogday Records, was called "a masterpiece of slow-rolling West Coast funk" by Rolling Stone magazine.[16] The single, "Me and Jesus the Pimp in a '79 Granada Last Night", was an eight-minute song about the grown-up son of a prostitute driving his mother's killer to a secluded place in which to murder him.[17] A novel, Too Beautiful for Words by Monique W. Morris, based on the story characters and descriptions in the song, was published by HarperCollins in 2000.[18]Del the Funky Homosapien guests on the track "The Repo Man Sings for You".
The group's fourth album, Party Music, was released on 75 Ark Records in 2001. It was re-released in 2005 by Epitaph Records. The original cover art depicted group members standing in front of the Twin Towers of the World Trade Center as they explode.[19][20] Riley is depicted pushing a button on a bass guitar tuner and DJ Pam the Funkstress is shown holding conductor's wands. The photo was taken in May 2001, with the album scheduled to be released just after the September 11, 2001 attacks. In response to the uncanny similarity of the artwork with the attacks, the release was delayed until an alternative cover could be prepared. The album hit No. 8 in the 2001 Village Voice Pazz and Jop Poll, was named "Pop Album of the Year" by The Washington Post, and "Hip-Hop Album of the Year" by Rolling Stone. The album included a guest appearance by dead prez on the song "Get Up".
Riley released a controversial press release on September 18, 2001, later published in the book, Another World Is Possible. The press release stated that "last week's events were symptomatic of a larger backlash against U.S. corporate imperialism". The controversy surrounding the cover art, press release and the lyrics from Party Music (specifically the song "5 Million Ways to Kill a CEO") led to Riley appearing on local network news affiliates all over the U.S. He appeared on Fox News's Hannity and Colmes and ABC's Politically Incorrect with Bill Maher. During this time, conservative commentator Michelle Malkin called Riley's lyrics "a stomach-turning example of anti-Americanism disguised as highbrow intellectual expression".[21]The Independent concluded it was "protest album of the year, by a million-man march".[22]
In 2006, Morello approached Riley to form a band together under the name Street Sweeper. The duo, who later changed their name to Street Sweeper Social Club, releasing their self-titled debut album in 2009. They toured in support of it along with Nine Inch Nails and Jane's Addiction.[27] On May 24, a press release went out announcing Street Sweeper Social Club as one of the headliners of the 2010 Rock the Bells tour. Street Sweeper Social Club released The Ghetto Blaster EP in late July 2010.
Independent work
In 1991, the same year Riley co-founded The Coup, he and other activists and hip hop artists created the Mau Mau Rhythm Collective.[28] The Collective put on "Hip-Hop Edutainment Concerts", which allied with and promoted the campaigns of community-based organizations like Women's Economic Agenda Project (WEAP), Copwatch, International Campaign To Free Geronimo Pratt, the Black Panther Alumni Association, and various anti-police brutality projects.[29] The Collective would use the growing popularity of their concerts to bring a large number of youth to take over a closed Oakland city council meeting and hold a public meeting.[30]
In 2007 and 2008, Riley toured heavily with New Orleans–based band Galactic.[32] The band performed The Coup songs behind Riley's vocals and they also performed their collaboration, "Hustle Up". In 2008, while performing with Galactic, police interrupted the concert and Riley was charged with using "abusive language"—a charge that had not been laid in 26 years, and never before against a performer.[33]
In 2010 and 2011, Riley recorded with Ursus Minor on the album I Will Not Take "But" for an Answer, and toured with the group in France.[34]
Film and television
In 2012, Riley finished a screenplay for "an absurdist dark comedy with aspects of magical realism and science fiction", inspired by his own time working as a telemarketer.[35] In 2017, he was able to begin production on his screenplay for Sorry to Bother You, directing it himself, with stars Lakeith Stanfield, Tessa Thompson and Steven Yeun.[36] The film premiered at the Sundance Film Festival on January 20, 2018, and was theatrically released in the United States on July 6, 2018, by Annapurna Pictures. The film received acclaim for its cast and concept, as well as Riley's screenplay and direction.
In July 2018, Riley signed a TV script deal with Media Res.[37] In June 2020, he announced plans for a new seven-episode series entitled I'm a Virgo, starring Jharrel Jerome. The show premiered at South by Southwest on March 11, 2023, and was released on Amazon Prime Video on June 23rd 2023.[38]
In 2021, Riley signed a two-year overall television deal with Media Res.[37]
When E-Roc left The Coup in 1994, Riley decided to stop making music in favor of forming an organization called The Young Comrades,[39][40][41] with a few other radical, black community organizers including journalist and activist JR Valrey. The organization mounted a few important campaigns in Oakland which yielded some minor victories, such as the campaign against Oakland's "no cruising" ordinance.[42]
In 2000, Riley, through his workshop on Art and Organizing at La Peña Cultural Center, led a group of young artists to create "Guerilla Hip-Hop Concerts" on a flatbed truck which traveled throughout Oakland to protest California's Proposition 21.[30] The workshop also distributed tens of thousands free cassettes of "The Rumble", which he called "newspapers on tape.[43]
In 2002, Riley taught a daily high school class, "Culture and Resistance: Persuasive Lyric Writing", at the School of Social Justice and Community Development in East Oakland.[44]
During the fall of 2011, Riley became heavily involved with the Occupy Oakland movement.[45][46] In 2018, he spoke at the Socialism 2018 conference.[47]
^ abPollard, Mark. "An Interview w/ Boots of the Coup". daveyd.com. Archived from the original on January 11, 2017. Retrieved January 11, 2017. We had a flatbed truck and basically make it into a stage and we'd get rappers and we'd drive around neighborhoods and do a show – guerilla theatre. We'd called them guerilla hip hop concerts.
^Riley, B. [BootsRiley] (August 23, 2014). 4those watching The Simpsons marathon: Episode 9 of Season 16, "Pranksta Rap" is scored by me. I did not write those raps tho. Twitter
