He was one of the first Aboriginal children in northern Queensland to complete secondary schooling, and described feelings of alienation and being caught between two cultures as a teenager.[4] After finishing school in Cairns, he worked as a labourer and then did office work in Darwin, Northern Territory.[2]
Activism
After moving to Melbourne in the late 1960s, he joined the Aboriginal Advancement League (AAL) and started becoming involved in Indigenous rights activism.[2] He was inspired by Malcolm X Speaks, and subsequently made president of the AAL.[3]
After the National Black Theatre lost its funding, Maza helped to found the Black Theatre Arts and Culture Centre in Redfern, and was its first artistic director when it opened in July 1974. In January 1975, he directed his first play, Robert J. Merritt's The Cake Man, which was the first play by an Indigenous playwright to be published, televised, and tour internationally. He later directed Roger Bennett's Up the Ladder (1989), Jack Davis' No Sugar (1994) and Owen Love's No Shame (1995).[2]
Maza's most notable play was The Keepers (1989).[2][1][7]Mereki (first performed 8 October 1984),[8]Tiddalik the Frog, and The Rainbow Serpent (1992)[1] were based on traditional pre-colonial stories (see Rainbow Serpent and Tiddalik), with the intention of helping to regenerate Aboriginal culture.[4]
It was the first play produced by the Aboriginal National Theatre Trust,[4] and Maza won the National Black Playwright Award for the production.[2]
Other activities
Maza lectured in Indigenous Studies at Tranby Aboriginal College in the Sydney suburb of Glebe and was Assistant Director of Studies there.[2]
He was the first Indigenous commissioner of the Australian Film Commission from 1995 to 1998, during which time he helped to create its Indigenous Unit.[2]
Recognition
In 1981 Maza was an official delegate to the World Indigenous Festival in Canada[2][1]
He won the National Black Playwright Award for The Keepers (1989).[4]
In 1993, he was made a Member of the Order of Australia for services to the arts and to Indigenous people.[11]
At the Tudawali Awards in 2002, the Indigenous Unit of the Australian Film Commission (AFC) awarded the Bob Maza Memorial Award, to recognise emerging acting talent and support professional development. This was awarded to Ursula Yovich[12]
Bob Maza Fellowship
The Bob Maza Fellowship was created by the AFC (and from mid-July 2008 awarded by its superseding body, Screen Australia), "to an established Indigenous actor to further their professional development, provide longevity in their career and raise their profile internationally",[13] and the A$10,000 (2008) awarded by the AFC had to be used on travel to attend further training at an international film training institution, meetings with agents, and/or establishing contacts in the international arena.[14]
The Uncle Bob Maza Memorial Award for Outstanding Contribution to Victorian Indigenous Theatre has been awarded at the Victorian Indigenous Performing Arts (VIPA) Awards for some years.[16] Recipients include:
He married Dutch immigrant to Australia, Vera Blankman, and the couple are parents to actor and director Rachael Maza and writer and actor Lisa Maza.[1][21]