Blue Rose (album)
1956 studio album by Rosemary Clooney and Duke Ellington and His Orchestra
Professional ratings Review scores Source Rating Allmusic [ 1]
Blue Rose is the debut studio album by Rosemary Clooney , in collaboration with Duke Ellington and his orchestra, released in mono on Columbia Records , catalogue CL 872. Although she had appeared on albums before, it had been in the context of either a musical theater or multiple artist recording. The album also marked the return of Ellington to Columbia after an absence of four years, and was one of the first examples of overdubbing being used as an integral part of the creation, rather than for effects or to correct mistakes.
Background and content
During the early 1950s, it had been the policy of both company president Goddard Lieberson and producer Mitch Miller at Columbia to discourage their roster of popular singers from planning full albums, the LP reserved for serious work such as classical music or original cast recordings .[ 2] This policy changed with the success of popular music albums on other labels, and to give the return of Ellington to the fold exposure beyond the jazz audience, producer Irving Townsend decided on pairing the Ellington band with a singer for a full album, choosing Clooney for her sultry voice and her spate of hit records throughout the decade.[ 3]
The project encountered difficulty from Clooney being both on the outs with her usual producer Mitch Miller and pregnant in Los Angeles , with the Ellington Orchestra being recorded in New York .[ 4] With Townsend at the helm, Clooney agreed to the project, and long-time Ellington orchestrator and musical foil Billy Strayhorn was dispatched to guide Clooney through the arrangements and recording in L.A.
Recordings of the Ellington Orchestra took place on January 23 and 27, 1956, at Columbia's 30th Street Studio in New York, and Clooney's vocals were recorded for overdubbing to the New York track on February 8 and 11 in Los Angeles.[ 5] The material selected originated from the Ellington songbook, and all songs were arranged by Strayhorn. The title tune was specifically written by Ellington for the album and Clooney.
On June 15, 1999, Legacy Records reissued the album remastered for compact disc . Two bonus tracks were added from the sessions that were not included on the original LP, released as Columbia single 55591 "If You Were in My Place (What Would You Do?)" and its b-side "Just A-Sittin' and A-Rockin' ."[ 6]
Track listing
1999 bonus tracks Title Writer(s) 12. "If You Were in My Place (What Would You Do?)" Duke Ellington, Irving Mills, Henry Nemo 3:01 13. "Just A-Sittin' and A-Rockin' " Duke Ellington, Billy Strayhorn, Lee Gaines 2:40
Personnel
References
^ Allmusic review
^ Will Friedwald . Blue Rose . 1999 reissue, Columbia/Legacy CK 65506, liner notes .
^ Friedwald, Blue Rose reissue liner notes.
^ Gary Mamorstein. The Label: The Story of Columbia Records . New York": Thunder's Mouth Press, 2007. p. 195.
^ Friedwald, Blue Rose reissue liner notes.
^ Blue Rose at AllMusic .
Studio albums
Harlem Jazz, 1930
Ellingtonia, Vol. One
Ellingtonia, Vol. Two
Braggin' in Brass: The Immortal 1938 Year
The Blanton–Webster Band
Never No Lament: The Blanton-Webster Band
Smoke Rings
Liberian Suite
Great Times!
Masterpieces by Ellington
Ellington Uptown
The Duke Plays Ellington
Ellington '55
Dance to the Duke!
Ellington Showcase
Historically Speaking
Duke Ellington Presents...
The Complete Porgy and Bess
A Drum Is a Woman
Studio Sessions, Chicago 1956
Such Sweet Thunder
Studio Sessions 1957 & 1962
Ellington Indigos
Black, Brown and Beige
Duke Ellington at the Bal Masque
The Cosmic Scene
Happy Reunion
Jazz Party
Anatomy of a Murder
Festival Session
Blues in Orbit
The Nutcracker Suite
Piano in the Background
Swinging Suites by Edward E. and Edward G.
Unknown Session
Piano in the Foreground
Paris Blues
Featuring Paul Gonsalves
Midnight in Paris
Studio Sessions, New York 1962
Afro-Bossa
The Symphonic Ellington
Duke Ellington's Jazz Violin Session
Studio Sessions New York 1963
My People
Ellington '65
Duke Ellington Plays Mary Poppins
Ellington '66
Concert in the Virgin Islands
The Popular Duke Ellington
Far East Suite
The Jaywalker
Studio Sessions, 1957, 1965, 1966, 1967, San Francisco, Chicago, New York
...And His Mother Called Him Bill
Second Sacred Concert
Studio Sessions New York, 1968
Latin American Suite
The Pianist
New Orleans Suite
Orchestral Works
The Suites, New York 1968 & 1970
The Intimacy of the Blues
The Afro-Eurasian Eclipse
Studio Sessions New York & Chicago, 1965, 1966 & 1971
The Intimate Ellington
The Ellington Suites
This One's for Blanton!
Up in Duke's Workshop
Duke's Big 4
Mood Ellington
Live albums Collaborations Compositions by Billy Strayhorn by Juan Tizol
Orchestra members Related
Studio albums Live albums Soundtrack albums Songs Related
Years given are for the recording(s), not first release.
As leader or co-leader WithDuke Ellington WithJohnny Hodges WithQuincy Jones WithHerbie Mann WithOliver Nelson With others
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Carnegie Hall Concert (Dizzy Gillespie, 1961)
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Homage to Duke (Dave Grusin , 1993)
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J.J.! (J.J. Johnson , 1964)
Goodies (J.J. Johnson, 1965)
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Summit Meeting (Elvin Jones , 1977)
Down Home (Sam Jones , 1962)
At Newport '63 (Lambert, Hendricks & Bavan , 1963)
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Themes from Mr. Lucky, The Untouchables and Other TV Action Jazz (Mundell Lowe , 1960)
Satan in High Heels (Mundell Lowe, 1961)
The Soul of Hollywood (Junior Mance , 1962)
The Jazz Version of "How to Succeed in Business without Really Trying" (Gary McFarland , 1961)
Tijuana Jazz (Gary McFarland, 1965)
Mingus Revisited /Pre-Bird (Charles Mingus , 1960)
The Complete Town Hall Concert (Charles Mingus, 1962)
Smooth as the Wind (Blue Mitchell , 1960–61)
A Sure Thing (Blue Mitchell, 1962)
Jazz Dialogue (Modern Jazz Quartet , 1965)
Gerry Mulligan and the Concert Jazz Band at the Village Vanguard (1960)
Gerry Mulligan '63 (Gerry Mulligan , 1962)
That's How I Love the Blues! (Mark Murphy , 1962)
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The Alternate Blues (Oscar Peterson, 1980)
The Trumpet Summit Meets the Oscar Peterson Big 4 (1980)
Basically Duke (Oscar Pettiford , 1954)
The Trumpet Kings Meet Joe Turner (Big Joe Turner , 1974)
Bossa Nova Carnival (Dave Pike , 1962)
Jazz for the Jet Set (Dave Pike, 1965)
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New Fantasy (Lalo Schifrin , 1964)
Once a Thief and Other Themes (Lalo Schifrin, 1965)
Hobo Flats (Jimmy Smith , 1963)
The Matadors Meet the Bull (Sonny Stitt , 1965)
I Keep Comin' Back! (Sonny Stitt, 1966)
Taylor Made Jazz (Billy Taylor , 1959)
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Kwamina (Billy Taylor, 1961)
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Devil May Care (Teri Thornton , 1960–61)
Joyride (Stanley Turrentine , 1965)
Live at Newport (McCoy Tyner , 1963)
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Uhuru Afrika (Randy Weston , 1960)
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New York, New Sound (Gerald Wilson , 2003)
Kai Olé (Kai Winding , 1961)
The Colorful Strings of Jimmy Woode (Jimmy Woode , 1957)