Andrésen's father has never been identified and his mother, Barbro Elisabeth Andrésen, took her own life when he was 10 years old.[a] He was then brought up by his maternal grandparents. Part of his schooling was at a boarding school in Denmark.[a] Andrésen attended Adolf Fredrik's Music School in Stockholm.[1]
Career
Andrésen had only appeared in one film, En kärlekshistoria (1970), at the time he was cast in Death in Venice, which gained him international recognition. Andrésen's role was as Tadzio, the beautiful young Polish boy with whom the film's older protagonist Gustav von Aschenbach (played by Dirk Bogarde) becomes obsessed. Film historian Lawrence J. Quirk commented in his study The Great Romantic Films (1974) that some shots of Andrésen "could be extracted from the frame and hung on the walls of the Louvre or the Vatican". Following the Cannes Film Festival a year after the premiere of Death in Venice, Andrésen received international headlines as "the most beautiful boy in the world".[2]
Andrésen later described his discomfort with his role in Death in Venice and its director Luchino Visconti, stating that "When I watch it now, I see how that son of a bitch sexualized me."[3] At the time of the film's release, rumours circulated in the United States that Andrésen was gay (as the role demanded that he appear to exchange romantic glances with the protagonist, and on another occasion, be kissed and caressed by another teenage boy), which Andrésen emphatically denied. After the film's premiere, Visconti pressured Andrésen to attend a gay club, where he was made uncomfortable by the staring of adult men; Andrésen later described the experience as "hell".[4][3][5]
Eager to dispel the rumours regarding his sexuality and to shed his "pretty boy" image, Andrésen avoided homosexual roles and parts which he felt would play off his good looks, and was irritated when Germaine Greer used a photograph of him on the cover of her book The Beautiful Boy (2003) without his permission.[6] Greer consulted photographer David Bailey (who owned the copyright for the image) before publishing the book. Andrésen maintained that it is common practice when a party uses an image of a person which has been copyrighted by a different individual to inform the individual and that he would not have given his consent for Greer to use his picture if she had informed him of her plans.
After the release of Death in Venice, Andrésen spent an extended period of time in Japan and appeared in a number of television commercials and also recorded several pop songs. Andrésen has had a strong liking for Japan since then and has visited the country again over the years.[7] Björn Andrésen's arrival in Tokyo has been described as being similar to the Beatles landing in the U.S. The young actor was met with mass hysteria and received an enormous amount of female attention.[2]
Andrésen has appeared in several other films.[8] These include Smugglarkungen (1985), Kojan (1992), Pelicanman (2004),[9] and Midsommar (2019).
In addition to being an actor, Andrésen is a professional musician, and (as of 2006) until recently performed and toured regularly with the Sven Erics dance band.[10][11] In 2021 Andrésen was the focus of The Most Beautiful Boy in the World, a documentary detailing his experiences post-fame after the premiere of Death in Venice.[12]
Personal life
Andrésen resides in Stockholm. He has a daughter, Robine (b. 1984), with his ex-wife, the poet Susanna Roman (m. 1983–1987).[13][14] Andrésen and Roman had another child, a son named Elvin (1986–1986), who died of sudden infant death syndrome at 9 months of age. Andrésen fell into a long depression following the death of his son. In an interview in 2020, Andrésen stated that he believes he will meet his son again "in the afterlife".[15] Andrésen has two granddaughters: Nemo (b. 2008) and Nike (b. 2014).[16]
^ abAs documented in The Most Beautiful Boy in the World (2021), Andrésen discusses family life with his sister. He also discussed boarding school life. The documentary also shows him viewing the police records of his mother's death. She went missing in October 1965 when Andrésen was 10 years old and her body was discovered in woodland in May 1966.
References
^Ashley Wyman (7 November 2014). "Björn Andresen". Ashley Wyman Online. Archived from the original on 24 December 2014. Retrieved 24 December 2014.
^ abLang, Brent (30 November 2021). "Björn Andrésen on His Tortured Relationship With Luchino Visconti's 'Death in Venice': 'That Son of a Bitch Sexualized Me'". Variety. Retrieved 20 November 2022. Andrésen is particularly upset about a time when the director pressured him to go to a gay club where he felt objectified. "It was extremely uncomfortable," says Andrésen. "I was alone with a bunch of guys. I coped with the situation. I got drunk and I don't remember how I got back to the hotel. I think [Visconti] was testing me to see if I was gay."
^Kaufman, Sophie Monks (26 July 2021). "Death in Venice and how film has mistreated child stars". BBC. Retrieved 20 November 2022. Andrésen recounts in The Most Beautiful Boy in the World that during filming, Visconti had warned the crew that he was sexually off limits – but this protection ended once the film was wrapped, when in Andrésen's words, he had "served [Visconti's] purpose". After the Cannes premiere, he was taken to a gay club by Visconti while very drunk, an experience he describes in the film as "hell".
^"'I'm not Germaine's toy,' says cover boy". Fairfax Digital. 18 October 2003. Retrieved 25 December 2008. Andresen said that when he was 16, Visconti would take him to gay clubs where he was made uncomfortable by grown men staring at him: 'They looked at me uncompromisingly as if I was a nice meaty dish.'
^Seaton, Matt (16 October 2003). "'I feel used'". guardian.co.uk. Retrieved 25 December 2008. Sometimes he still sees his image as Tadzio in a poster or in a cinema flyer; it used to cause him irritation, but not any more. 'My career is one of the few that started at the absolute top and then worked its way down,' he says. 'That was lonely.'
