William Weldon Higgins (June 9, 1888 – April 19, 1937)[1] was an American vaudeville entertainer, comedian, singer and songwriter — critically acclaimed, and is historically chronicled, as one of the most popular stage comedians of the 1920s. Langston Hughes named him as one of the "Golden Dozen" black comedians.[2][3] On various recordings of the 1920s, Higgins used the pseudonym Jazz Caspar(akaCasper).[1]
Biography
Early years
Higgins was born in Columbia, South Carolina.[4] He was African-American and often worked in blackface.[2] He began his career in 1912[5] as a singer of ballads at private clubs in is hometown of Columbia. Before that, he had been a machinist. Sometime around 1913, he joined Billy King, a widely popular comedian and producer of touring theatrical revues. Higgins co-starred with King in the show Two Bills from Alaska.[6] Higgins performed with King until 1917, when he entered the U.S. Army during World War I.
Service in the United States Army
During World War I, Higgins was assigned to the 805th Pioneer Infantry, an African-American regiment of 2,810 men comprising 14 companies and a medical detachment. The regiment was nicknamed "Bearcats". Higgins quickly established himself as a performer at Camp Funston's Detention Camp No. 2, where he was first assigned, and where all new recruits were sent to be cleared by Army medics of any communicable viruses or diseases. The Bearcat Entertainers were assigned to Headquarters Company. The 805th Pioneer Infantry was assigned to Europe to support the Meuse-Argonne Offensive, which began September 26, 1918. The organization participated for 39 days — from October 3, 1918, to November 11, 1918 — when the Armistice was signed.[7]
When the Bearcats were deployed to Europe, Higgins was chief entertainer for the 14-day trip — which included a stay at Camp Upton, New York, and a Transatlantic crossing aboard the Saxonia. In Europe, the Bearcats were stationed at Chatel-Chéhéry. Early on, after arriving, they organized a regimental show and entertained guest of the 805th Pioneer Infantry, among whom included the Congressional Committee on Military Affairs, the Staff College of the American Expeditionary Forces, and several other visitors of high rank. Lieutenant Leonce Raoul Legendre (1895–1951), of the Headquarters Company, was in charge of the show and the band that, together, comprised the Bearcat Entertainers. However, Higgins was the de facto stage director. He gained popularity singing songs such as:
Our father which art in Washington
Baker be thy name
May the telegrams fly to Chatel-Chéhéry, as they do at G. H. Q.
Forgive the mess sergeant and the top-kicker
And all those who wear bars and trespass against us
Oh, lead us not into the Army of Occupation
And deliver us from another service stripe
Give us a boat that we may see some blue water
And go to God's country
And live in peace forever and ever
— Eight Men
"Bull Frog Hop"
(chorus)
Commence to wiggle from side to side
Git away back and do the Mobile Glide
Then you do the shimmy with so much spice
Stoop low, hey Bo!
Stew the rice, do the seven-year itch and the possum trot
Then you scratch the gravel in a vacant lot
Slap your hands and then you squat —
That's that bullfrog hop
"You'll Find Old Dixieland in France"
(chorus)
You remember dancing Mose
Folks all called him tickle-toes
You'll find him over there in France
Alexander's band left old Dixie Land
They used to play the lovin' blues for everyone
But now they play the blues upon the gattlin' gun
Don't forget old Shimmy Sam, finest boy from Alabam
He went a- way in kha-ki pants!!!
Instead of pickin' melons off the vine
He's pickin' Germans off the Rhine —
You'll find old Dixie-Land in France
"Shootin' Cross the Rhine"
(chorus)
The first thing you do is when attention's called
Stand up straight, one and all
Forward march, column right — keep your interval —
Then you close up tight
Company halt — 'bout face —
Stand at ease with style and grace
Squad's right and double time —
That's the dance that made the Kaiser
Get back 'cross the Rhine[8]
The liner notes on a 1996 2-CDcompilation of Josie Miles characterized Higgins' lyrics — singing "A to Z Blues" in a duet recorded in 1924 with Miles — as "a violently bizarre, sadistic tour de force of psychological, and economic domination":[11][12]
(Higgins)
I'm gonna cut your nappy head four diff'rent ways
Long, short, deep and wide
When I get through usin' my black-handled razor
You know you're gonna take a ride
(Miles)
If you can catch me!
(Higgins)
I'm gonna cut A B C D
In the top of your head
That's gonna be treatin' you nice
And you ain't gonna be dead
(continued ... )
Family
Wives
Around February 1924, Higgins married musician and entertainer Valaida Snow (1904–1956),[13] her second of five marriages.[1] Snow had joined the show Follow Me on tour in 1923 as mistress of ceremonies. Israel M. Weingarden (1869–1928) was the producer; Jerry Mills was the stage director. It was a new production. Other stars in the show included Higgins (principal comedy role), Clifford Ross (born 1879) (supporting comedy role), Julia Moody, Alice Gorgas (1883–1951), and Ernest Whitman. Their marriage ended and on February 19, 1925, Snow married jazz trumpeter and singer Russell T. "Pops" Smith(de) (1891–1966) in Mason City, Iowa.
When Higgins died on April 19, 1937, he had been living at 204 West 119th Street, Manhattan, New York. During the last two years of his life, he had been in poor health and, for that reason, he had been mostly retired from stage-work. An obituary in the New York Age reported that he was married when he died, but separated. He was buried with military honors at the Long Island National Cemetery in Suffolk County,[14] Section G, Site 5004.
Ida Higgins was identified as the wife of Billy Higgins in a filing for a copyright renewal of "There'll Be Some Changes Made" in 1942. Rebecca McCollough, whose relationship to Higgins is not known, also filed for a copyright renewal of "There'll Be Some Changes Made" in 1942.
Daughter
Higgins had a daughter, Mary Ann Booker (born December 6, 1931). Higgins was not married to the mother. The existence of Mary Ann Booker was not widely known by the public until 1960, when Jerry Vogel Music Co., Inc., served notice of an assignment of the copyright renewal rights it had obtained from her in 1958 for $500. This was a surprise, given that, in the late 1940s, Ida Higgins, Henderson, and Overstreet's next-of-kin had assigned their interests in the renewal rights to Edward B. Marks Corporation, which received a copyright renewal certificate on October 12, 1950. The matter became more confusing when, on May 20, 1968, the Supreme Court ruled on a different kind of case that seemingly diminished the standing of an "illegitimate child" as an heir to rights and title under an estate. A court case ensued in 1969 between Vogel (plaintiff) and Marks (defendant) in the U.S. Court of Appeals for the Second Circuit.[15]
With Bubber Miley (coronet), Louis Hooper (piano), Elmer Snowden (banjo), possibly Joe Davis (chimes on the first song)
Recorded in New York City, circa October 30, 1924
"Who Calls You Sweet Mama Now?"
Matrix: 5695-1, 2, 3 Banner 1467
"Sween Mandy"
Matrix: 5696-1, 2 Banner 1451
Note: Perkins is credited as Louella Jones, Lucille Johnson, Nettie Potter, and Dixey Gray on other releases
Josie Miles & Billy Higgins (vocal duet)
With the Choo Choo Jazzers; accompanied by Bubber Miley (coronet), Bob Fuller (clarinet on the first song), Louis Hooper (piano)
Recorded in New York City, circa November 1924
"I'm Done Done Done With You"
Matrix 31725 Ajax 17080
"A to Z Blues" (Bob Fuller out)
Matrix 31727
Billy Wiggins (1921) (see 1948 copyright renewal)[a]
Jazz Casper (aka Caspar) (notably as vocal accompanist on recordings with Kitty Brown, Alberta Perkins, Josie Miles
Note: Some biographical references, notably, the searchable BMI Song Database,[18] incorrectly identify Higgins of this article as William Blackstone. "Blackstone" is the maiden name of the mother of another Billy Higgins (1936–2001) — the late jazz drummer who has no apparent direct relationship to the Higgins of this article. The mother's full maiden name was Anna Bell Marie Blackstone (1903–2001). She was married to Samuel Higgins (1901–1970).[19]
References
Notes
^The C. & V. Amusement Co. was a corporation through which the Coleman Brothers, with their associates, leased and managed the Lafayette Theatre in Harlem. The Coleman Brothers took over the Lafayette around 1921 and dropped the more serious dramatic acts in favor of musical stage shows. The Lafayette was later taken over by Frank Schiffman, who, working with his sons, continued the musical stage show format.
^ abCullen, Frank (né Bernard Francis Cullen; born 1936) (Boston), Vaudeville, Old & New: An Encyclopedia of Variety Performances in America, (Vol. 1 of 2), Psychology Press (2007); OCLC62430748
^ abBliss, Paul Southworth (1889–1940), Victory: History of the 805th Pioneer Infantry, American Expeditionary Forces, Saint Paul, Minnesota: published by the author (1919); OCLC47888345, 8933282
^U.S. National Cemetery Interment Control Forms, 1928-1962 (retrieved December 9, 2016, viawww.ancestry.com) (2012)
Original record: Interment Control Forms, 1928–1962. Interment Control Forms, A1 2110-B. Records of the Office of the Quartermaster General, 1774–1985, Record Group 92. The National Archives, College Park, Maryland
