Pee-wee Herman lives an idyllic life on a farm with his assistant Vance, a talking pig. There he grows vegetables, dreams of being a famous singer, has a daily lunch with his fiancée, school teacher Winnie Johnson, and conducts agronomical experiments in a secure greenhouse. One day after lunch with Winnie, he walks into Mr. Ryan's general store to order a sandwich; however, his quirky personality is barely tolerated by the townsfolk. The local sheriff arrives at the store and warns of a large storm approaching town. Pee-wee rushes home and puts his farm animals into shelter.
After the storm ends, Pee-wee emerges from his storm shelter to discover that an entire traveling circus has been blown into his backyard. He befriends the ringmaster Mace Montana and falls for trapeze artist Gina Piccolapupula, the circus's star attraction. Winnie catches Pee-wee just as he shares his first kiss with Gina, and both women shun him for two-timing them. Pee-wee calls off his engagement to Winnie and convinces Gina that he truly loves her, whereupon she warms up to him again and they begin a romantic relationship. Winnie forgives Pee-wee after finding that she would much rather date all four of Gina's brothers at once.
Pee-wee attempts to join the circus, but cannot perform any circus acts. Gina tells Pee-wee about her deceased father, Papa Piccolapupula, a famous aerialist who died attempting something called the "Spiral of Death." She suggests that Pee-wee should try walking the tightrope in his honor.
The curmudgeonly town elders, meanwhile, hate the circus and want it gone. Mace attempts to placate them by inventing a new show saluting the American Farm. The sheriff will have none of it, though, and threatens to arrest Pee-wee on various trumped-up charges if the circus does not leave immediately. Mace capitulates and sadly tells the circus performers to begin packing up.
Pee-wee recalls one of his agronomical experiments, a serum that, when applied to one of his other experiments, a hot-dog tree, made the hot dogs reverse their growth and shrink to the size of cocktail weiners. He feigns repentance to the town elders and feeds them the serum-laced cocktail weiners, causing them to become children and lose their adult memories. With no obstacle remaining, the circus performs their new American Farm show for the townspeople (including the former elders), and Pee-wee walks the tightrope.
Following the success of the 1985 Warner Bros. film Pee-wee's Big Adventure, Paul Reubens signed a development deal with Paramount Pictures to write, produce, and/or direct additional projects for the character of Pee-wee Herman.[4]Big Top Pee-wee was the first project in the deal to go into production.
During a 1988 television special, Herman acknowledged the long hours of circus training undertaken by the film's actors and that they spent a year and a half working on the movie. He also humorously compared himself as an actor to James Cagney and Spencer Tracy and ended by saying that Big Top Pee-wee was "at least as good as Police Academy."[6]
Release and reception
On Rotten Tomatoes, the film has a 36% rating based on 22 reviews, with the site's critical consensus stating: "Its endearingly oddball lead character gives it his all, but Big Top Pee-Wee simply lacks the whimsical magic of its predecessor."[7]Metacritic, which uses a weighted average, assigned the film a score of 42 out of 100, based on 18 critics, indicating "mixed or average" reviews.[8]
Roger Ebert gave the film two stars in his print review for The Chicago Sun Times,[9] writing the film was "not as magical" as the first film in the series. Ebert and colleague Gene Siskel both gave the film a "thumbs down" on their television program At the Movies.[10] In a comparison to previous appearances of the Pee-wee character, Ebert claimed that what had made Pee-wee's Playhouse and Pee-wee's Big Adventure great was "the characters in those have absolutely no connection with reality whatsoever, and that is why they were so enduring and enjoyable".[10]Caryn James of The New York Times criticized the film for making Pee-wee "slightly less eccentric" and said the "new, lukewarm, compromised Pee-wee is remarkably unfunny."[11] The negative reviews reflected the film's performance at the box office, where it grossed $15,122,324,[3] suffering from competition with Who Framed Roger Rabbit, Coming to America, and the re-issue of Bambi, among other summer releases.[12] In 2010, Paul Reubens said that Paramount terminated his development deal and evicted him from his office on their lot the day after the movie's disappointing opening weekend.[13]
