Jessica Kiang for Variety detects some flaws in this update of Alfred Döblin's classic novel of masculine criminal crisis: ″Although promising a deep-cut dash of contemporary topicality by reimagining the main character as an undocumented African immigrant, there is the sense that the unimpeachable craft and performances — especially from rivetingly charismatic lead Welket Bungué — ultimately add up to just too slick a package. (...) For a film that is supposed to be a contemporary update, it can feel — especially in its ill-fated female characters, who are almost all either sex workers or one-night stands of Reinhold's — weirdly out of date. “Men like me have gone out of fashion,” says Pums at one point, and it will take more than a snazzy new set of clothes to complete the overhaul that Qurbani bravely, handsomely, but a little foolhardily attempts."[5]
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