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This adaptation was loosely based upon the 1927 Arthur Bernède horror novel Belphégor, which had appeared in concert with a film serial version of the story. A television miniseries had appeared in 1965. Juliette Gréco, who was the original Belphégor in the television miniseries, makes a cameo appearance as the woman in the cemeterien
Plot
A rare collection of artifacts from an archeological dig in Egypt are brought to the famous Musée du Louvre in Paris. While experts are using a laser scanning device to determine the age of a sarcophagus, a spirit escapes and makes its way into the museum's electrical system. Museum curator Faussier (Jean-Francois Balmer) brings in noted Egyptologist, Glenda Spencer (Julie Christie), to examine the findings, and she announces that the mummy inside the coffin was actually the evil spirit Belphegor.
Meanwhile, Lisa (Sophie Marceau), a young woman who lives across the street from the museum, follows her runaway cat into the Louvre after closing time. She accidentally receives an electrical shock that transfers the stray spirit into her body. Soon Lisa is disguising herself as Belphegor and making off with the rare Egyptian treasures on display at the museum, convinced that they are rightfully hers. When Belphegor proves more than a match for the Louvre's security forces, renowned detective Verlac (Michel Serrault) is brought out of retirement to find out why the museum's Egyptian collection has been shrinking.
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Critical response
Critical reception for Belphegor, Phantom of the Louvre has been mostly negative. Justin Felix from DVD Talk gave the film a mixed two and a half out of five stars, writing, "Belphegor: Phantom of the Louvre is modestly entertaining, despite some very familiar plot elements and so-so CGI work."[4] Chris Parry from eFilmCritic awarded the film two out of five stars, panning the film's acting, special effects, screenplay, and familiar premise.[5] Steve Barton from Dread Central rated the film two and a half out of five stars, writing, "For all that it has going for it in the acting department, Belphégor Phantom of the Louvre comes up on the short side of the fence nearly everywhere else. It's a decent little time killer, but you'll ultimately start forgetting about it even before the end credits run."[6]
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