Daughter of the painter AMI (Anne-Marie Imhoof) and of a passionate philhellene (Rodolphe Imhoof), Barbara Polla grew up in Geneva and spent a year in Greece at the age of 17. This year spent abroad represented her first contact with a dictatorship and prison.[clarification needed] She has four children and was divorced in 2013.[citation needed]
Since 1991, she has been developing her activity of gallery owner in Geneva. International program dedicated to contemporary artists, interest in every field that art explores and in every artistic media, multiple collaborations with art critics and curators, many publications, are some of the characteristics of Analix Forever.[4] Polla has been curating exhibitions in Paris and elsewhere since 2011. In 2008, Polla initiated a long-term collaboration with Paul Ardenne (exhibitions, conferences, books). She was associate curator for the exhibition "Motopoetics[5]" (MAC Lyon, 2014) and for "Human Economy[6]" presented at HEC Paris (2014, 2015). In 2015, Polla and Paul Ardenne were the co-curators of a two-part exhibition of Shaun Gladwell across two sites in Sydney: UNSW Galleries and SCAF (Sherman Contemporary Art Foundation).
She teaches on the links between art and fashion at the Institut Français de la Mode (IFM) in Paris and at the HEAD (Haute Ecole d'art et de Design) in Geneva. She organizes monthly seminars in Geneva on the theme of creativity and is also a creative and critical writing professor at the HEAD. Polla is a writer and a columnist for newspapers such as Les Quotidiennes (La Tribune de Genève, 24 heures), Agefi, (Switzerland), Citizen K,[7] Nuke, Blast, Bariqaldana (Kuwait), CRASH,[8] DROME,[9] ART And, Roots & Routes,[10] and Kunst Magazine. Since 2020 she is regularly writing for Womentoday.fr[11]
She cofounded and edited the magazine Londerzeel and has created, in 2013, with the support of HEAD Geneva, the first issue of Critical Fashion Review.[12]
She also founded the Swiss Organization for emotional architecture[13] and is the originator of the first international conference about emotional Architecture that took place in January 2011 in Geneva. Polla commits herself to freedom at various levels: as national counsellor, she fought for freedom of research, for the right to abort and to the pre-implantation diagnosis. The final voting about this subject occurred in Switzerland on June 14, 2015.
Since 2017, Barbara Polla had worked on a cultural, artistic and social project aiming to install art by the UK artist Robert Montgomery in the public space of Perama, a city near Athens in Greece where she lived as a teenager. The project also includes a pedagogic program with scholars from Perama, a collaboration with the Athens School of Fine Arts, films, publications and theater plays to be presented in the open air Mikis Theodorakis Theater of Perama.[citation needed]
Politics
In 1991 Polla got involved in politics, first as member of the Geneva City Council, and then as canton of Geneva deputy from 1993 to 1999[14] and member of the national parliament from 1999 to 2003.[15] During her tenure as politicians she stood up for the freedom of research, preimplantatory diagnosis and the legalisation of abortion. She left the Liberal Party of Geneva in 2007.
Art and prison
She has been co-curator of many exhibitions on the theme "Art & Prison". The first one, entitled Public Enemy[16] was organized at Magda Danysz Gallery[17] in 2013 ; the next one at the contemporary art centre le Château des Adhémar in Montélimar, La Belle Echappée;[18] in March 2015, La Belle Echappée, was shown at ISBA (Beaux Arts Institute of Besançon). The same evolving show,[19] Le Sens de la Peine[20] was also presented in Nanterre[21] in a contemporary art exhibition space called the Terrasse,[22] in collaboration with Sandrine Moreau.[22]
In 2018, Polla curated two museum exhibitions on the theme, one at Château de Penthes in Geneva called LA PRISON EXPOSÉ, for the Fondation des Suisses dans le Monde, in collaboration with the local jail, Champ-Dollon; the other at the Tasmanian Museum and Art Gallery, in Hobart Tasmania, called A JOURNEY TO FREEDOM.[23]
Art video
Polla organizes bimonthly conferences dedicated to video art: VIDEO FOREVER taking place in different sites: Magda Danysz Gallery, Palais de Tokyo,[24]Musée de la Chasse et de la Nature,[25] Frank Perrin studio, National Finish Theatre of Helsinki[26] and UNSW Galleries in Sydney. Barbara Polla regularly publishes articles about video on the online magazine art-critique.
Bibliography
Publications
Asthme et allergie, Ed. Médecine et Hygiène, Geneva, 1993
Incertaine identité, with Olivier Zahm, Luigi L. Polla, Ed. Georg, 1994
Stress-inducible cellular responses, with Feige U. Morimoto RI. Yahara I., Ed. BirkhäuserVerlag (Basel, Boston, Berlin), 1996
L'inflammation, avec Russo-Marie F. Pelletier A., Médecine/Sciences, Ed. John Libbey, 1998
Étreinte, Ed. de l'Aire, 2003
La Nécessité libérale 2-88108-644-6, Ed. de l'Aire, 2003
Vocation créateurs, with Pascal Perez, 2004
Les hommes, ce qui les rend beaux, Ed. Favre, 2005
Handicap entre différence et ressemblance, Ed. Favre, 2007
Andrea Mastrovito | Tigres de papier, with Andrea Bruciati, Paolo Colombo, Joseph del Pesco, Paul Ardenne, Ed. monografik, 2008
Working Men, le travail dans l'art contemporain, with Paul Ardenne, Ed. Que, 2008
A toi bien sûr, Ed. l'Âge d'Homme, 2008
Kris Van Assche, Amor o muerte, Ed. L'Âge d'Homme, 2009
Victoire, Ed. l'Âge d'Homme, 2009
Peintures. Please pay attention please, with Paul Ardenne, Ed. La Muette, 2010
Architecture Émotionnelle, Matière à penser, Collectif under the supervision of Paul Ardenne and Barbara Polla, Ed. La Muette, 2011
Jacques Coulais Pictor Maximus, avec Paul Ardenne, Ed. Take5, 2011
Tout à fait femme, Odile Jacob, 2012
Noir Clair dans tout l'univers, Collectif under the supervision of Barbara Polla, Ed. La Muette, 2012
IN IT, Ali Kazma - Paul Ardenne, Barbara Polla, Managing editor, 2012
L'Ennemi public, Collectif under the supervision of Barbara Polla, Paul Ardenne & Magda Danysz, Ed. La Muette, 2013
Mat Collishaw ou l'horreur délicieuse, Under the supervision of Barbara Polla, Ed. La Muette, 2013
Tout à fait homme, Odile Jacob, 2014
Troisième Vie, Eclectica, 2015
Vingt-cinq os plus l'astragale, Art&fiction, 2016
Eloge de l'érection, Barbara Polla, Dimitris Dimitriadis, ed. La Muette, 2016
Femmes hors normes, Odile Jacob, 2017
IVORY HONEY, New River Press, 2018 ISBN 9781999631000
Le Nouveau Féminisme, Combats et rêves de l'ère post-Weinstein, Odile Jacob, 2019
Moi, la grue, Barbara Polla et Julien Serve, ed. Plaine page, 2019
Paul-pris-dans-l’écriture, Barbara Polla, preface by Bruno Wajskop, illustrations by Julien Serve, La Muette Le Bord de L’eau, 2020 ISBN9782356877376
Traversée d'amour, Barbara Polla, in: Traversée, Collectif, editorial direction Nathalie Guiot, Ed. Ishtar, 2020
ÉQUINOXE, Souvenirs d’un printemps confiné, Collectif poétique sous la direction de Barbara Polla, Pan des Muses - Éditions de la SIÉFÉGP, 2020
HORIZONS VÉRONIQUE CAYE, Paul Ardenne et Barbara Polla, Hématomes éditions, 2021. (ISBN 978-2-9602558-3-6)
L'art est une fête, Barbara Polla, Julien Serve, Editions Slatkine, 2021
Catalogues
Ghosting, mounir fatmi, Studio Fatmi Publishing, Oct. 2011. Texts by Thierry Raspail, Lillian Davies, Michèle Cohen Hadria, Thomas Boutoux, Barbara Polla
ÉQUINOXES, LE CERCLE DES POETES APPARU.E.S, Collectif, editorial direction Nathalie Guiot and Barbara Polla, Ed. Ishtar, 2020: TEEN & Le cercle des poètes apparu.e.s, Barbara Polla ISBN 978-2-931104-02-6
