Barbara Gillian Ferris (born 27 July 1942, London) is an English actress and former fashion model.
She appeared in a number of films and productions for television and is possibly best remembered as Dinah, the young woman who eloped with Dave Clark in the 1965 film Catch Us If You Can. Her other roles were as diverse as the female lead in Edward Bond's controversial play Saved (1965) and a vicar's wife in the television comedy series All in Good Faith in the mid-1980s.
Screen roles of the 1960s
Barbara Ferris made her earliest television appearances in her teens. In 1961 she played the part of barmaid Nona Willis in Granada's twice-weekly serial Coronation Street and appeared also in episodes of The Cheaters (1962) and Zero One (starring Nigel Patrick, 1963).
Ferris played the leading female role in Edward Bond's play Saved at the Royal Court Theatre in London in 1965. This was subject to censorship by the Lord Chamberlain who was instrumental in bringing a successful prosecution when the producers went ahead and staged the play without cuts before private audiences. Despite the controversial subject matter, which included a scene in which a baby was stoned to death in its pram, the case was a step towards the Lord Chamberlain's losing his censorship role under the Theatres Act 1968.
Writer and critic Bernard Levin later opined that Saved contained "extremes [of cruelty] never seen before outside the Grand Guignol, or possibly even inside",[5] while Ferris's character was described at the time by The Daily Telegraph's critic W.A. Darlington as "a young virago with a screech that afflicts the ear-drums".[6]
Among Ferris's later television roles were as Emilie Trampusch in The Strauss Family (1972), Elizabeth in Elizabeth Alone (1981) and Emma Lambe, the wife of a vicar played by Richard Briers, in the first two series of All in Good Faith (1985–87).[7] She also appeared as Briers' wife, Enid Washbrook, in Michael Winner's film of Alan Ayckbourn's comedy A Chorus of Disapproval (1988). Depicting the tensions and rivalries among a provincial repertory company rehearsing The Beggar's Opera, the Washbrooks' daughter Linda was played by a young Patsy Kensit. Ferris was also in The Krays (1990), a film based on the lives of the Kray twins, who were leading figures in the criminal underworld of London's East End in the 1960s.
Ferris gave a number of well-regarded performances, but she did not become a big star. Equally, although ostensibly she fitted the stereotypical image of a mid-1960s blonde, she was never really a "starlet", a characteristic she shared with, among other actresses of a similar mould, Julie Christie and Carol White. For a while, after Catch Us If You Can, she acquired a certain "pin-up" status[9]The New York Times' review of A Nice Girl Like You by Roger Greenspun contained a vignette of Ferris in the late 1960s:
"Barbara Ferris is a strong-featured girl with an odd facial resemblance to Noël Coward. Despite her winsome smile, flaxen hair and peaches-and-cream complexion, she plays innocence as if it were an allegory of experience and lines of calculation enmesh the cornflowers."[10]
^Released in America as The Girl Getters in 1966: see Time, 29 August 1966.
^Released in America as Having a Wild Weekend (the title of a song on the soundtrack), which Bosley Crowther of The New York Times thought the best young generational film of its era: see sleeve notes of CD, Glad All Over Again (Dave Clark Five, 1993)
^Mrs Lamb was played by Susan Jameson in the third series of All in Good Faith (1988)
^The première of Season's Greetings was in Scarborough in 1980.
^One "spin off" of her association with Catch Us If You Can was Ferris's appearance in September 1965 on BBC TV's weekly "pop" panel programme Juke Box Jury.
^Roger Greenspun in The New York Times, 4 December 1969. His comparison with Noel Coward was perhaps a little unfair: the critic Kenneth Tynan thought Coward had face like an old boot, albeit "an unmistakably handmade boot" (quoted in Sunday Times Magazine, 25 February 2007).
