Wrote seven pattern books to help elevate American architectural taste
Asher Benjamin (June 15, 1773 – July 26, 1845) was an American architect and author whose work transitioned between Federal architecture and the later Greek Revival architecture. His seven handbooks on design deeply influenced the look of cities and towns throughout New England until the Civil War. Builders also copied his plans in the Midwest and in the South.
"From a poor boy unaided by friends, by his indefatigable industry and talents in a few years he has raised himself to the first rank of his profession."[2]
Upon leaving Connecticut, Benjamin settled in Greenfield, Massachusetts. There he built two large houses, including the Leavitt House (today's Leavitt-Hovey House) for Judge Jonathan Leavitt, and published his first handbook, The Country Builder's Assistant (1797). On November 30, 1797, he married Achsah Hitchcock of Brookfield, with whom he had four children. Benjamin relocated to Windsor, Vermont, where he built three large houses and the Old South Congregational Church (1798).
By 1803, Benjamin was living in Boston, listed in the city directory as a housewright. He designed numerous churches and houses, and also appears to have conducted the country's first architecture school. Robert Henry Eddy, Elias Carter, Solomon Willard, Samuel Shepherd and Ithiel Town are credited among his pupils. After his first wife died on January 30, 1805, on July 24 he married Nancy Bryant of Springfield, whom he had four more children with.
In 1823 and 1824, Benjamin was elected alderman of Boston as part of the "Middling Interest": a coalition of middle class entrepreneurs and artisans opposed to the Federalists, who supported Josiah Quincy for mayor. He assisted Mayor Quincy and Alexander Parris in the planning of Quincy Market. Finding himself under a financial strain that led him to declare bankruptcy in 1825, Benjamin's political ambitions were soon curtailed. From 1825 to 1827 he left Boston to supervise construction of locks, canals, roads and mill buildings for the Nashua Manufacturing Company in Nashua, New Hampshire. He designed two churches there before returning to Boston.[3]
Benjamin's greatest influence is derived from his pattern books. The first written by an American architect, they introduced architectural history, style and geometry to ordinary builders in the field. He adapted many designs by James Gibbs and Colen Campbell of Great Britain to fit the scale and finances of New England communities. These handbooks provided superb drawings and practical advice for full house plans, including such details as circular staircases, doorways, fireplace mantels, dormer windows, pilasters, balusters and fences. He sketched proposals for dwellings and churches, even a courthouse. The archeological sources of his designs were scrupulously cited, from the Temple of Hephaestus in Athens to the Arch of Titus in Rome. Other architects, including Ithiel Town and Ammi B. Young, freely assimilated his plans, as did innumerable carpenters. Indeed, the charm of many early New England towns owes a debt to Asher Benjamin. The Ridge in Orford, New Hampshire features a series of houses based on designs from his books, many of which remain in print.[4] Although he helped disseminate the Federal style, he was not averse to changing fashions. In fact, his book published in 1830, The Architect, or, Practical House Carpenter, helped redirect American taste towards the Greek Revival movement.
"...he, more than any other person, is responsible for the character we roughly call 'Late Colonial'; his moldings, his doors and windows and his mantels and cornices decorate or at least inspire the decorations of numberless houses up and down the New England coast and in the New England river valleys."[5]
^[1]Archived 2010-07-09 at the Wayback Machine Kenneth Hafertepe, "Asher Benjamin Begins; The Samuel and Dorothy Hinckley House", Old-Time New England, Spring/Summer 1999, p. 19
Mary Wallace Crocker, "Asher Benjamin: The Influence of His Handbooks on Mississippi Buildings," The Journal of the Society of Architectural Historians, Vol. 38, No. 3 (October, 1979); pp. 266–270