In the authentic version, the performance text chanted for twenty minutes in two voices (high female and low male) consisted of three hundred and twelve rhythmically repeating verses turning into a looped Dadaistmantra.
The process was designed like that: my performance partner and I were standing opposite each other at a distance of about three meters. While reading the text, with arms straight up and slightly apart (palms outward), we gradually raised our arms in a stylized gesture of a traditional intercessory prayer iconographically referring to the classical image of the Virgin Hodegetria. The incense was burning. A whitish trickle of sweet smoke was slowly stretching towards the ceiling, emphasizing the sacredness of the two-voiced hosanna repeated over and over again: Art is a Business; Business is an Art. Art is a Business; Business is an Art. Art is a Business; Business is an Art; Art is a Business; Business is an Art.... A rhythmic, monotonous sound.[3]
This endless repetition made the reasonable formula meaningless, gradually turning it into a simple sequence of sounds, depriving it of any specific speculative sense. The verbal leitmotif changed the performance direction initially stated as an absolute given. Slogan and march were replaced with psychedelic rap. Art is business, but becoming utilitarian and flat, commercial and applicable, it, like a phoenix destroying itself with fire, is able to rise from the ashes, melt down and be reborn into something completely different, filled with new living energy.
Alexey ParyginSolar System Art.—St. Petersburg, 2015.— 2 pp. Circulation—8 copies numbered and signed by the author.[5]
Alexey ParyginИскусство это Бизнес / Business is an Art.—St. Petersburg, 2015.—12 pp. Circulation—6 copies numbered and signed by the author.[6]
Alexey ParyginИББИ.—St. Petersburg, 2015.—12 pp. Circulation—6 copies numbered and signed by the author.
Alexey ParyginИскусство это бизнес. Бизнес это искусство.—St. Petersburg, 2001.—6 pp. Circulation — 50 copies numbered and signed by the author.[7][8][9][10][11]
Alexey Parygin312/20 (Искусство это бизнес. Бизнес это искусство).—St. Petersburg, 2000.—12 pp. Circulation—25 copies numbered and signed by the author.[12]
Parygin A. B. Искусство это бизнес-проект // Economics vs Art: 10th Annual International Conference of the Center for the Study of Economic Culture of St Petersburg State University. — St. Petersburg: Asterion, 2022. — 92 p. — P. 49-51.[14]ISBN978-5-00188-185-8 (RUS)
Grigoryants E. I. «Книга художника»: традиции и новации // «Искусство печатной графики: история и современность». В сб. н. статей по материалам научной конференции Четвертые казанские искусствоведческие чтения. November 19–20, 2015. — Kazan: The State Museum of Fine Arts of the Republic of Tatarstan, 2015. — P. 83-86, ill. (RUS)