Upendra has played a psychological role after a brief gap. He had last played such type of roles in his earlier psychological films like A (1998), Upendra (1999) which were directed by himself, and Preethse (2000).
The film was released on 26 January 2012 and opened to positive reviews. It turned out to be box-office bomb.[1]
A critic from The Times of India scored the film at 3 out of 5 stars and says "While Upendra is super as a police officer, it's Ragini who steals the show with her brilliant emoting and body language. Sharana's comedy track is silly. Music by Gurukiran is okay. Cinematography by P K H Das is the highlight of the movie".[5] A critic from The New Indian Express wrote "Gurukiran has done a neat job. The songs are melodious. VERDICT: Watch the movie, if you are ready to watch it twice. Else, it will be difficult for you to follow the plot line".[6] Srikanth Srinivasa from Rediff.com scored the film at 3 out of 5 stars and says "Gurukiran's music is nothing to write about. But the songs are choreographed well with Upendra doing some unusual dance steps. There is a song in praise of Anna Hazare. P K H Dass has captured the locales of Kannur in all its glory. The film has been shot in Thailand as well".[7] Shruti Gautham from DNA wrote "Vasu this time even seems to have run out of the luck that the letter ‘Aa’ had brought him in the case of Aapthamitra and Aaptharakshaka. Aarakshaka is not a film that is beyond your imagination more so if you have watched Shutter Island! ".[8] A critic from Bangalore Mirror wrote "Upendra gets a flattering makeover, resembling the composer. P Vasu, who has been busy with various versions of Manichitrathazhu in the last few years, has not come out of that hangover yet. By choosing a somewhat similar 'mental disease' to cure, he has only fed the audience too much of a problem".[9] B S Srivani from Deccan Herald wrote "The climax drags a bit but panders to the hero’s image. According to Upendra, even the intelligent will require repeated viewing to understand the entire film. But then, the viewer is not a fool either".[10]
