Pasculli's works require extraordinary virtuosity on the instrument. His pieces make constant use of arpeggiations, trills, and scales, and require the oboist to use circular breathing. His output was essentially forgotten early in the twentieth century, and he remained in oblivion until oboists Heinz Holliger and Omar Zoboli began reviving his music. As a result, some of his works are now available in recordings.
Compositions
Chamber works
Ricordo di napoli, scherzo brillante, for oboe and piano
Fantasy on themes from Donizetti's 'Poliuto', for oboe and piano
Fantasia on themes from Meyerbeer's 'Les Huguenots', for oboe & piano
Ommagio a Bellini on themes from 'Il Pirata' and 'La Sonnambula', for English horn and harp
Gran Sestetto concertante (after Rossini's Guillaume Tell) (arr. W. Renz)[3]
Orchestral works and concertos
Concerto on themes from Donizetti's 'La Favorita', for oboe and piano
Gran Concerto on themes from Verdi's 'I Vespri Siciliani', for oboe and piano