On 16 March 1620 their first child was born, a daughter Sofia Theodora. The grandfather, Count John 'the Middle', congratulated the parents on the birth of their daughter in his letter from Rheinfels of 4 April 1620, but he himself would have preferred a son.[12]
Great was the joy when the long-awaited son, Walraven, was born on 25 September 1628. Three days after the birth, Johan Wolfert sent the drost of Vianen to the States of Holland with the message that his wife had given birth to "een jonge Soon, weesende sijnen eersten Soon, die hy dagte op te trekken om het Land dienst te mogen doen" ("a young son, being his first son, whom he had planned to raise to the service of the country"). He asked the States to act as sponsors for the baptism. The States voted a generous baptismal gift of 1800 guilders. However, the boy died a few days later, on 1 October. The grief about this also reached the outside world. Joost van den Vondel, in his poem De Rijnstroom about the River Rhine, which he dedicated to Johan Wolfert, wrote a couple of verses about the longing for a son.[12]
The Brederodes usually resided at Batestein Castle in the northwest corner of the city of Vianen.[14] The castle was beautifully furnished and the walls were papered with tapestries and gold wallpaper. The couple received many guests in Vianen, including Prince Frederick Henry and Countess Amalia of Solms-Braunfels, the counts of Nassau and Solms, the viscounts of Dohna and members of the States of Holland, who were received royally.[15] Because Johan Wolfert frequently had to visit The Hague for his duties, he bought a representative building on 3 Lange Vijverberg from Countess Emilia of Nassau in 1626.[16] After Johan Wolfert was appointed governor of the city of 's-Hertogenbosch and the Meierij on 27 January 1630, the family moved into the Jesuit college as their official residence.[17] The city magistrate donated costly tapestries for the palace in 1631 and contributed to Anne Joanne's travel expenses, elegantly wrapped in a fine purse, when she visited the city.[18]
The year 1630 was a difficult one for the couple. Anne Joanne gave birth to stillborn children in March and October. Furthermore, Theodora van Haaften, the mother of Johan Wolfert, died in August. In October 1631 Anne Joanne again gave birth to a stillborn child.[12]
Anne Joanne died in The Hague[1][5][19][20] in December 1636.[1][note 5] She was buried in the Great Church in Vianen.[21]
Johan Wolfert remarried in The Hague on 11 February 1638[19][20][22][23] to Countess Louise Christine of Solms-Braunfels (Braunfels, 17 October 1606[23] – Vianen, 24 March 1669[19][23]). Louise Christine was a younger sister of Amalia of Solms-Braunfels, wife of Prince Frederick Henry of Orange.[23] Eight children were born from Johan Wolfert's second marriage.[24] Johan Wolfert died on 3 September 1655 at Petersheim Castle near Maastricht, a property of his relative Ferdinand de Merode. He was interred in the family tomb in the Great Church in Vianen on 25 October.[10]
Portrait of Anne Joanne painted by Van Dyck?
One of the most intriguing questions in the iconography of the Brederodes is whether the court painterAnthony van Dyck contributed to it. Van Dyck visited The Hague in the early summer of 1631, where he painted the portraits of Prince Frederick Henry of Orange, his wife Amalia and their son William. He may also have painted Anne Joanne on the same occasion. Her portrait, which was kept at Schlobitten Castle [de] until the Second World War and fell victim to the flames there, shows amazing similarities to the portrait that Van Dyck made of Amalia of Solms-Braunfels. Not only are the composition and the clothing identical, but both women have a distinguished regal appearance. Van Dyck was known for his ability to flatter his models without violating their likeness. Johan Wolfert honoured this portrait of his first wife. In 1646, ten years after her death, it was still hanging in his cantoir at Batestein Castle.[25]
The knee-length portrait showed Anne Joanne sitting. She wore a dark dress with a raised waist and wide sleeves, a lace composite collar, a pearlnecklace on a brocade bow for the chest, and a fan in her right hand. In the portrait, she has frizzy hair with thin fringes. The portrait hung at Schlobitten Castle in the Garden Hall in the 2nd row on the far right. It was destroyed in 1945.[26]
Issue
From the marriage of Anne Joanne and Johan Wolfert the following children were born:[24][27]
Florentina (Vianen, 7 January 1624 – Frankfurt, 13 February 1698), married in 's-Hertogenbosch on 9 March 1645 to Count Maurice of Solms-Hungen (21 November 1622 – 30 November 1678).
^Huberty, et al. (1981), p. 234 mentions the given name Anne only. Romein (1937), pp. 125–126, Van der Aa (1855), p. 1267 and Textor von Haiger (1617), p. 172 only the given name Anna.
^"She was baptised in Siegen on Sunday 17-3-1594 (see State Archives Wiesbaden 170III), letter from Count Wolfgang Ernst I of Ysenburg-Büdingen. Another notification preserved in the archives of the princes of Isenburg-Büdingen-Birstein at Büdingen Castle clearly shows that the date 23-2-1594, indicated by Dek (1962) and all printed genealogies, is incorrect. The letter, dated Dillenburg 3 March 1594, states that Anne was born "verschiedenen Tag ... und Sonntag Judicae den 17ten Marty ... getauft". The reference to Sunday 17 March clearly indicates that the writer of the letter used the old style and that, when he speaks of a birth that took place the day before, this can only be a birth that took place on 2 March, old style. The mistake may be due to the fact that in Holland (where the countess later lived) the new style was in use. Probably, it was believed that her date of birth was calculated according to the new calendar and German authors converted it to the old calendar, which is indeed the incorrect date of 23 February."[2]
^Textor von Haiger (1617), p. 172 refers to her as Geistliche Jungfrau.
^"According to Dek (1970) and Europäische Stammtafeln, the marriage took place on 14-6, but in the State Archives Wiesbaden 170III we find a letter from Jakob Schickhard, addressed to John 'the Middle', Count of Nassau-Siegen, which recounts in full detail the ceremony celebrated in Broich on 19-6 and then the couple's departure for Vianen. This letter is dated Siegen 30 June 1619. See also Royal House Archive of the Netherlands IV/1345. The contract was signed in Siegen on 18-3-1619 (Royal House Archive of the Netherlands 4/1346 I)."[7]
^"The place of death in Dek (1970), with the date 7-12-1636 (as in Europäische Stammtafeln). However, a serious reservation must be made with this information, since the bell in the Great Church or St. James' Church in The Hague was not rung for her until 23 December 1636. See the register of fees received for opening graves or ringing the bell (church registers inv. n2. 68, f. 16v.). This information was obtained from the Municipal Archives in The Hague, according to whom no actual death certificates existed at the time."[7]
^Dek (1968), p. 277 mentions born in or before 1629. Koenhein & Heniger (1999), p. 43 state that Dek (1959), p. 140 mentions completely wrong data about the birth, baptism and baptismal gift of Trajectina Anna, referring to the act of 29 November 1626 in which the States of Utrecht ratified the baptismal gift of an annuity of 300 guilders, when they stood as sponsors at the baptism. Strangely enough, Heniger (1999), p. 135 – in the same publication – mentions 1629 as the year of birth.
^Dek (1968), p. 277 mentions only that Walraven died young. Furthermore, he mentions a nameless son (Vianen, 15 September 1628 – 22 September 1628). These are the birth and death dates of Walraven calculated according to the Julian calendar. Therefore, it must be concluded that the author has confused both sons.
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