When the album was reissued by Cadence in 1963, the Review Panel in the somewhat newly renamed Billboard magazine updated the rating it was given upon its initial release to reflect the fact that "Williams, a seller of stature," had become "increasingly hot, thanks to regular TV exposure and hits on his current label."[5] Whereas the 1958 review yielded only a four-star rating, the 1963 reissue garnered the magazine's coveted Spotlight Pick, which was given to albums with the greatest sales potential.[5]
The album was released on compact disc for the first time by Collectables Records on September 12, 2000, as tracks 13 through 24 on a pairing of two albums on CD with tracks 1 through 12 consisting of Williams's 1958 collection of Cadence Records singles that was simply entitled Andy Williams.[6] Collectables included this CD in a box set entitled Classic Album Collection, Vol. 1, which contains 17 of his studio albums and three compilations and was released on June 26, 2001.[7]
In AllMusic, William Ruhlmann wrote that Williams "wasn't really a rocker, even if he sometimes pretended to be one for commercial purposes at the behest of Cadence Records head Archie Bleyer"[3] and that he "was allowed to show his true colors by recording a collection of Rodgers & Hammerstein songs from the musicals Oklahoma!, Carousel, South Pacific, and The King and I. The result was the birth of the Andy Williams his fans knew from then on."[3] Ruhlmann felt that "Williams revealed his warm tenor with its touches of Mel Tormé's velvety tones on material he clearly felt comfortable with"[3] and that his "buoyancy and sincerity as a singer were never better displayed than they were here."[3]
Billboard gave a postive review, saying "he registers best on a bright, verveful reading of "Getting to Know You"[1]
Cashbox gave a postive review, saying it "finds [Williams] tastefully reading the songs of the two noted songwriters,[9] described the album as a "sure-fire blockbuster"[10]
