Allan Sekula (January 15, 1951 – August 10, 2013) was an American photographer, writer, filmmaker, theorist and critic. From 1985 until his death in 2013, he taught at California Institute of the Arts.[1] His work frequently focused on large economic systems, or "the imaginary and material geographies of the advanced capitalist world."[2]
Sekula was born in 1951 in Erie, Pennsylvania, of Polish and English descent. His family moved to San Pedro, California in the early 1960s.[1] He graduated with his MFA from the University of California, San Diego, in 1974, after having obtained his BA in biology from the same institution.[4]
Sekula's principal medium was photography, which he employed to create exhibitions, books and films. His secondary medium was the written word, employing essays and other critical texts in concert with images to create a multi-level critique of contemporary late capitalism. His works make critical contributions on questions of social reality and globalization, and focus on what he described as "the imaginary and material geographies of the advanced capitalist world". He was a film/video-maker, frequently collaborating with film theorist Noël Burch on projects such as The Reagan Tapes (1984) (with regard to Ronald Reagan), and The Forgotten Space (2010).[5]
Facing the Music: Documenting Walt Disney Hall and the Redevelopment of Downtown Los Angeles.East of Borneo Books, 2015. ISBN978-0692312445. A project by Sekula. Edited by Edward Dimendberg, with contributions by Sekula, Louis Adamic, James Baker, Laura Diamond Dixit, Anthony Hernandez, Karin Apollonia Müller, Leonard Nadel, and Billy Woodberry.
1981: Likely Stories, Castelli Graphics, New York City
1983: Susan Meiselas and Allan Sekula, Film in the Cities Photo Gallery, St. Paul Minnesota
1983: Westbury. Traveled to State University of New York, Cortland Game, Amelie Wallace Gallery, State University of New York, Old Westbury. Traveled to State University of New York, Cortland, Cortland, New York
1984: Art and Ideology, New Museum of Contemporary Art, New York
1985: San Francisco Camerawork, San Francisco, CA (solo)
1987: Vormen van Documentaire Photografie in de jaren '80, Galerie Perspektief, Rotterdam, Netherlands
1989: If You Lived Here: Home Front:, Dia Art Foundation, New York City
1989: Geography Lesson: Canadian Notes, Institute of Contemporary Art, Boston (solo). Traveled to Los Angeles Contemporary Exhibitions, Los Angeles; A Space, Toronto; P.S. 1, Long Island City, Queens, New York; Amelie Wallace Gallery, State University of New York, Old Westbury, New York; Washington Project for the Arts, Washington, D.C.; Mendel Art Gallery; Saskatoon, Saskatchewan; Art Gallery of Windsor, Windsor, Ontario; Western Front, Vancouver, British Columbia.
1991: Vancouver Art Gallery, Vancouver, British Columbia, Canada
1991: A Dialogue about Recent American and European Photography, Museum of Contemporary Art, Los Angeles
1991: The Power of Words: An Aspect of Recent Documentary Photography, PPOW Gallery, New York
1991: Critical Realism, Perspektief, Rotterdam
1992: Wasteland: Landscape from Now On, Fotografie Biennale, Rotterdam, Netherlands
1995: Aerospace Folktales and Canadian Notes, Vancouver Art Gallery, Vancouver, British Columbia, Canada
1996: Witte de With Center for Contemporary Art, Rotterdam, Netherlands. Traveled to Moderna Museet, Stockholm, Sweden; Tramway, Glasgow; Le Channel and Musée des Beaux-Arts, Calais; Santa Monica Museum of Art, Santa Monica, CA.
1996: Museum Boymans van Beuningen, Rotterdam, Netherlands
1996: Face a l'Histoire, Centre Pompidou, Paris
1997: InSite 97, San Diego/Tijuana, Centro Cultural de Tijuana, Tijuana, Mexico
1998: Deep Six/Passer au bleu, Museé des Beaux Arts et de la Dentelle, Calais Galerie Michel Rein, Paris
1998: Dismal Science: Photo Works *1972-*1996, University Galleries, Illinois State University, Normal, Illinois; traveled to Palmer Museum, Pennsylvania State University, State College, Pennsylvania; daadgalerie, Berlin; Camerawork, London; Nederlands Foto Instituut, Rotterdam; Kunstverein Munchen, Munich, Germany; Curtain University Art Gallery, Perth; Atlanta College of Art, Atlanta; Palais des Beaux Arts, Brussels
2002: shadow Festival 3, Amsterdam, Netherlands (cat.)
2002: Trade - Waren, Wege und Werte im Welthandel heute, Nederlands Foto Instituut, Rotterdam, Netherlands
2002: Regarder la mer. Repenser le monde, Le Grand Café, St-Nazaire, France
2002: Sans commune mesure, Centre national de la photographie, Paris; Musée d'Art Moderne, Lille Métropole, Villeneuve d'Ascq, France; Le Fresnoy, Studio national des arts contemporains, Tourcoing, France
2002: The Politics of Place, BildMuseet, Umea Universitet, Sweden (cat.)
2002: Fish Story, Dokumenta XI, Kassel, Germany (cat.)
2002: Waiting for Tear Gas (white globe to black), Camera Austria, Graz, Austria (solo)
2002: Irrational Exuberance, Christopher Grimes Gallery, Santa Monica, CA (solo)
2003: Allan Sekula, Performance under Working Conditions, Generali Foundation, Vienna, Austria. Retrospective exhibit with catalogue interview by Benjamin Buchloh (solo)
2003: Black Tide/Marea Negra, Christopher Grimes Gallery, Santa Monica, CA (solo)
2005: Occupying Space, TENT Centrum Beeldende Kunst, Rotterdam, Netherlands
2005: How do we want to be governed? (Figure and Ground), Miami Art Central, Miami, Florida
2005: Emergencies, MUSAC (Museo de Arte Contemporaneo de Castilla y Leon), Madrid, Spain
2005: Facing the Music, the gallery at REDCAT in Disney Hall, Los Angeles, CA
2005: Dear Bill Gates (poster version) installed throughout Leuven in conjunction with Meunier, a dialogue. Contemporary art meets Constantin Meunier and Leuven, Belgium