Brooks was born Albert Lawrence Einstein on July 22, 1947, into a Jewish show business family in Beverly Hills, California,[3][1] to Thelma Leeds (née Goodman), an actress, and Harry Einstein, a radio comedian who performed on Eddie Cantor's radio program and was known as "Parkyakarkus".[1] He is the youngest of three sons. His older brothers are the late comedic actor Bob Einstein (1942–2019), and Clifford Einstein (b. 1939), a partner and longtime chief creative officer at Los Angeles advertising agency Dailey & Associates. His older half-brother was Charles Einstein (1926–2007), a writer for such television programs as Playhouse 90 and Lou Grant. His grandparents emigrated from Austria and Russia. He grew up among show business families in Southern California, attending Beverly Hills High School with Richard Dreyfuss and Rob Reiner.[4]
Career
Brooks attended Carnegie Institute of Technology (now Carnegie Mellon University) in Pittsburgh (where his classmates included Michael McKean and David L. Lander), but dropped out after one year to focus on his comedy career.[5] By the age of 19, he had changed his professional name to Albert Brooks, joking that "the real Albert Einstein changed his name to sound more intelligent".[6] He quickly became a regular on variety and talk shows during the late 1960s and early 1970s, and was on the writing staff for the ill-fated ABC show Turn-On, which was cancelled after one episode.[7] In 1970–71, he also worked with college friends McKean and Lander (alongside Harry Shearer) as a writer/guest performer on some early material by radio and LP record comedy group The Credibility Gap. Brooks led a new generation of self-reflective baby-boomer comics appearing on NBC's The Tonight Show Starring Johnny Carson. His on-stage persona, that of an egotistical, narcissistic, nervous comic, an ironic showbiz insider who punctured himself before an audience by disassembling his mastery of comedic stagecraft, influenced other post-modern comedians of the 1970s, including Steve Martin, Martin Mull, and Andy Kaufman.
After two successful comedy albums, Comedy Minus One (1973) and the Grammy Award-nominated A Star Is Bought (1975), Brooks left the stand-up circuit to try his hand as a filmmaker. He had already made his first short film, The Famous Comedians School, a satiric short and an early example of the mockumentary subgenre that was aired in 1972 on the PBS show The Great American Dream Machine.[8]
In 1975, Brooks directed six short films for the first season of NBC's Saturday Night Live.[9] In 1976, he appeared in his first mainstream film role, in Martin Scorsese's landmark Taxi Driver; Scorsese allowed Brooks to improvise much of his dialogue.[10]
Brooks directed his first feature film, Real Life, in 1979, which he co-wrote with Harry Shearer and Monica Johnson. The film, in which Brooks (playing a version of himself) films a typical suburban family in an effort to win both an Oscar and a Nobel Prize, was a sendup of PBS's An American Family documentary. It has also been viewed as foretelling the emergence of reality television.[11] Brooks also appeared in the film Private Benjamin (1980), starring Goldie Hawn.[12]
Through the 1980s and 1990s, Brooks co-wrote (with long-time collaborator Monica Johnson), directed and starred in a series of well-received comedies, playing variants on his standard neurotic and self-obsessed character. These include 1981's Modern Romance, where Brooks played a film editor desperate to win back his ex-girlfriend (Kathryn Harrold). The film received a limited release and ultimately grossed under $3 million domestically.[13] His best-received film, Lost in America (1985), featured Brooks and Julie Hagerty as a couple who leave their yuppie lifestyle and drop out of society to live in a motor home as they have always dreamed of doing, meeting disappointment.
Brooks's Defending Your Life (1991) placed his lead character in the afterlife, put on trial to justify his human fears and determine his cosmic fate. Critics responded to the off-beat premise and the chemistry between Brooks and Meryl Streep, as his post-death love interest. His later efforts did not find large audiences, but still retained Brooks's touch as a filmmaker. He garnered positive reviews for Mother (1996), which starred Brooks as a middle-aged writer moving back home to resolve tensions between himself and his mother (Debbie Reynolds). 1999'sThe Muse featured Brooks as a Hollywood screenwriter who has "lost his edge", using the services of an authentic muse (Sharon Stone) for inspiration. In an interview with Brooks with regard to The Muse, Gavin Smith wrote, "Brooks's distinctive film making style is remarkably discreet and unemphatic; he has a light, deft touch, with a classical precision and economy, shooting and cutting his scenes in smooth, seamless successions of medium shots, with clean, high-key lighting."[14]
Brooks has appeared as a guest voice on The Simpsons seven times during its run (always under the name A. Brooks). He is described as the best guest star in the show's history by IGN, particularly for his role as supervillain Hank Scorpio in the episode "You Only Move Twice".[15]
Brooks also acted in other writers' and directors' films during the 1980s and 1990s. He had a cameo in the opening scene of Twilight Zone: The Movie, playing a driver whose passenger (Dan Aykroyd) has a shocking secret. In James L. Brooks's hit Broadcast News (1987), Albert Brooks was nominated for an Academy Award for Best Supporting Actor for playing an insecure, supremely ethical television news reporter, who offers the rhetorical question, "Wouldn't this be a great world if insecurity and desperation made us more attractive?" He also won positive notices for his role in 1998's Out of Sight, playing an untrustworthy banker and ex-convict.
Brooks received positive reviews for his portrayal of a dying retail store owner who befriends a disillusioned teenager (played by Leelee Sobieski) in My First Mister (2001). Brooks continued his voiceover work in Pixar's Finding Nemo (2003), as the voice of Marlin, one of the film's protagonists.
His 2005 film Looking for Comedy in the Muslim World was dropped by Sony Pictures due to their desire to change the title. Warner Independent Pictures purchased the film and gave it a limited release in January 2006; the film received mixed reviews and a low box office gross. As with Real Life, Brooks plays a fictionalized "Albert Brooks", a filmmaker ostensibly commissioned by the US government to see what makes the Muslim people laugh, and sending him on a tour of India and Pakistan.
In 2006 he appeared in the documentary film Wanderlust as David Howard from Lost in America. In 2007, he continued his long-term collaboration with The Simpsons by voicing Russ Cargill, the central antagonist of The Simpsons Movie. He portrayed Lenny Botwin, Nancy Botwin's estranged father-in-law, during the 2008 season of the Showtime series Weeds.[16]
Brooks co-starred as the vicious gangster Bernie Rose, the main antagonist in the 2011 film Drive, alongside Ryan Gosling and Carey Mulligan. His performance received much critical praise and positive reviews. After receiving awards and nominations from several film festivals and critic groups, but not an Academy Award nomination, Brooks responded humorously on Twitter, "And to the Academy: 'You don't like me. You really don't like me'."[18][19]
Brooks voiced Tiberius, a curmudgeonly red-tailed hawk, in the 2016 film The Secret Life of Pets, and reprised the role of Marlin in Finding Dory the same year. In 2019, Brooks did not return to do the voice of Tiberius in The Secret Life of Pets 2, because he was not available.[20]
