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Adoration of the Shepherds
Adoration of the Shepherds
Artist	Carlo Crivelli
Year	c. 1480
Medium	tempera on panel
Movement	Quattrocento
Subject	Adoration of the Shepherds
Dimensions	37.8 cm × 51.3 cm (14.9 in × 20.2 in)
Location	Musée des Beaux-Arts, Strasbourg
Accession	1890

Adoration of the Shepherds is a c. 1480 tempera and gold on panel painting by the Italian painter Carlo Crivelli. It is now in the Museum of Fine Arts in Strasbourg, for which it was acquired in Florence by Wilhelm von Bode. Its inventory number is 171.^[2] Art historians are uncertain about the dating of the painting, and propositions have ranged from 1470 to 1491.^[1]

Its commissioner is unknown but the work relates to the Nativity panel in the predella of the Ottoni Altarpiece in Matelica. Its attribution has varied - in 1896 Charles Loeser argued it was a fake and Drey wrote of its artist as an elusive "Master of the Adoration of Strasbourg", but it is now held to be a late completely autograph work by Crivelli. Zampetti refers to it as "a small masterpiece".^[3]

Bethlehem is shown in the work's background, possibly modelled on Ascoli Piceno, with the addition of a column with a gilded statue, one of the most noted ancient monuments of Constantinople. The perspectivally foreshortened Christ Child leans on a corner of the Madonna's mantle in a manner reminiscent of Mantegna's Ovetari Chapel frescoes.

References

^ ^a ^b Moench, Esther (June 2017). De Giotto à Goya. Peintures italiennes et espagnoles du musée des Beaux-Arts de Strasbourg. Musées de la ville de Strasbourg. pp. 66–67. ISBN 978-2-35125-151-5.
^ Jacquot, Dominique (2006). Le musée des Beaux-Arts de Strasbourg. Cinq siècles de peinture. Strasbourg: Musées de Strasbourg. pp. 54–55. ISBN 2-901833-78-0.
^ Pietro Zampetti, Carlo Crivelli, Nardini Editore, Firenze 1986