Artist Georgia O'Keeffe drew inspiration from her study of the formation at Plaza Blanca.[4]
Description
The Abiquiu Formation consists of light-gray to yellowish-gray, locally crossbedded, thin to thick beds of tuffaceoussandstone, pebbly sandstone, and siltstone. There are also a few gravel beds and lenses of mudstone. The clasts are mostly of volcanic rock, including Amalia Tuff and trachyandesite and trachydacite possibly also from the Latir volcanic field. The formation is exposed in a broad belt from the southwest flank of the Tusas Mountains to the Jarosa area in the northwest Jemez Mountains.[5][6] The formation reaches a maximum thickness in excess of 400 meters (1,300 feet) near Cañones. The age of the formation is approximately bracketed by a lava flow near its top dated to 18.9 Ma and a 25 Ma flow near its base.[1]
The formation correlates with the Cordito Member of the Los Pinos Formation.[6] It can be divided into three intervals based on the source of its sediments. The first interval derives its sediments from basement rock of the Tusas Mountains and from the San Juan volcanic field. The second interval is rich in eroded Amalia Tuff and is interpreted as erosion of the edge of the Amalia outflow sheet. The third interval is entirely composed of debris of the Latir volcanic field. These intervals reflect development of the early Rio Grande rift, with the final interval showing that tilting to the east in the San Luis basin was initially slow enough that debris from the Latir field filled the basin and overflowed to the southwest.[7]
History of investigation
The Abiquiu Tuff was first named by H.T.U. Smith in 1938 for exposures near the town of Abiquiu, New Mexico. Smith designated only a type area[8] and no type locality has been defined.[9] Fermor S. Church and John T. Hack recognized almost at once that the unit consisted of a lower conglomeratic member and an upper tuffaceous member separated by a chert horizon (the Pedernal chert member).[2] L.A. Woodward and R.S. Timmer first referred to the unit as the Abiquiu Formation in 1979.[10] In 2009, Florian Maldonado and Shari A. Kelley correlated the lower conglomerate beds with the Ritito Conglomerate and removed them from the formation, retaining Pedernal Chert as an informal name for the chert beds of the transition between the Ritito Conglomerate and Abiquiu Formation.[3]
Cultural importance
Georgia O'Keeffe painted her landscape "From the White Place" in 1940 based on her study of the Abiquiu Formation at Plaza Blanca, and her studio at Abiquiu commanded a view of the Plaza Blanca outcrops to the north.[4]
Vazzana, M. E.; Ingersoll, R. V. (December 1981). "Stratigraphy, Sedimentology, Petrology, and Basin Evolution of the Abiquiu Formation (Oligo-Miocene), North-Central New Mexico". GSA Bulletin. 92 (12_Part_II): 2401–2483. Bibcode:1981GSAB...92.2401V. doi:10.1130/GSAB-P2-92-2401.