"Abide with Me" is a Christian hymn by Scottish AnglicanclericHenry Francis Lyte (1793–1847). A prayer for God to stay with the speaker throughout life and in death, it was written by Lyte in 1847 as he was dying from tuberculosis. It is most often sung to the tune "Eventide" by the English organist William Henry Monk (1823–1889).
History
The author of the hymn, Henry Francis Lyte, was an Anglican cleric. He was a curate in County Wexford from 1815 to 1818. According to a plaque erected in his memory in Taghmon Church, he preached frequently at the church in Killurin, about nine miles from there. During that time the rector of Killurin Parish, the Reverend Abraham Swanne, was a lasting influence on Lyte's life and ministry. Later he was vicar of All Saints' Church in Brixham, Devon, England. For most of his life Lyte suffered from poor health, and he would regularly travel abroad for relief, as was customary at that time.
There is some controversy as to the exact dating of the text to "Abide with Me". An article in The Spectator, 3 October 1925, says that Lyte composed the hymn in 1820 while visiting a dying friend. It was related that Lyte was staying with the Hore family in County Wexford and had visited an old friend, William Augustus Le Hunte, who was dying. As Lyte sat with the dying man, William kept repeating the phrase "abide with me…". After leaving William's bedside, Lyte wrote the hymn and gave a copy of it to Le Hunte's family.
The belief is that when Lyte felt his own end approaching twenty-seven years later at the age of 54, as he developed tuberculosis, he recalled the lines he had written so many years before in County Wexford. The Biblical link for the hymn is Luke 24:29 in which the disciples asked Jesus to abide with them "for it is toward evening and the day is spent". Using his friend's more personal phrasing "Abide with Me", Lyte composed the hymn. His daughter, Anna Maria Maxwell Hogg, recounts the story of how "Abide with Me" came out of that context:
The summer was passing away, and the month of September (that month in which he was once more to quit his native land) arrived, and each day seemed to have a special value as being one day nearer his departure. His family were surprised and almost alarmed at his announcing his intention of preaching once more to his people. His weakness and the possible danger attending the effort, were urged to prevent it, but in vain. "It was better", as he used to say often playfully, when in comparative health, "to wear out than to rust out". He felt that he should be enabled to fulfil his wish, and feared not for the result. His expectation was well founded. He did preach, and amid the breathless attention of his hearers, gave them a sermon on the Holy Communion ... In the evening of the same day he placed in the hands of a near and dear relative the little hymn, "Abide with Me", with an air of his own composing, adapted to the words.[1]
Just weeks later, on 20 November 1847 in Nice, then in the Kingdom of Sardinia, Lyte died. The hymn was sung for the first time at Lyte's funeral. Special thanksgiving services to mark Lyte's bicentenary were held in Taghmon and Killurin churches. Although Lyte wrote a tune for the hymn, the most usual tune for the hymn is "Eventide" by William Henry Monk.
Lyrics
Wikisource has original text related to this article:
The hymn is a prayer for God to remain present with the speaker throughout life, through trials, and through death. The opening line alludes to Luke 24:29, "Abide with us: for it is toward evening, and the day is far spent", and the penultimate verse draws on text from 1 Corinthians 15:55, "O death, where is thy sting? O grave, where is thy victory?":
Abide with me; fast falls the eventide;
The darkness deepens; Lord with me abide.
When other helpers fail and comforts flee,
Help of the helpless, O abide with me.
Swift to its close ebbs out life's little day;
Earth's joys grow dim; its glories pass away;
Change and decay in all around I see;
O Thou who changest not, abide with me.
Not a brief glance I beg, a passing word,
But as Thou dwell'st with Thy disciples, Lord,
Familiar, condescending, patient, free.
Come not to sojourn, but abide with me.
Come not in terror, as the King of kings,
But kind and good, with healing in Thy wings;
Tears for all woes, a heart for every plea.
Come, Friend of sinners, thus abide with me.
Thou on my head in early youth didst smile,
And though rebellious and perverse meanwhile,
Thou hast not left me, oft as I left Thee.
On to the close, O Lord, abide with me.
I need Thy presence every passing hour.
What but Thy grace can foil the tempter's power?
Who, like Thyself, my guide and stay can be?
Through cloud and sunshine, Lord, abide with me.
I fear no foe, with Thee at hand to bless;
Ills have no weight, and tears no bitterness.
Where is death's sting? Where, grave, thy victory?
I triumph still, if Thou abide with me.
Hold Thou Thy cross before my closing eyes;
Shine through the gloom and point me to the skies.
Heaven's morning breaks, and earth's vain shadows flee;
In life, in death, O Lord, abide with me.[2]
Many hymnals omit some of the verses. For example, the compilers of one of the editions of Hymns Ancient and Modern, of which William Henry Monk, the composer of the tune "Eventide", was the original editor, omitted the verse beginning "Thou on my head in early youth didst smile;" for being too personal.[3]
The principal theme of the fourth movement of Gustav Mahler's Symphony No. 9 is often noted for its similarity to Monk's "Eventide".[5]Ralph Vaughan Williams composed a descant for the 1925 hymnal, Songs of Praise;[6] also an orchestral prelude ("Two Hymn-Tune Preludes", "1. Eventide") on the tune for the Hereford Festival of 1936.[7] The hymn was also set to music around 1890 by the American composer Charles Ives, and was published in his collection Thirteen Songs in 1958, four years after his death.[8]
Popular use
Religious services
"One of the most sung hymns at funerals, this is really a prayer to God to stay with him in death as He did with us in life."
The first and last verses of the hymn are traditionally sung at the FA Cup Final about 15 minutes before the kick-off of the match.[29] The first formal use of the hymn was before the 1927 FA Cup Final between Arsenal and Cardiff City.
The association with the FA Cup Final goes back slightly further to the 1923 final between Bolton Wanderers and West Ham United when record-breaking crowds spilled onto the pitch before kick-off. While the pitch was being cleared, the event choir, St Luke's, sang "Abide with Me"; the crowds of West Ham supporters walking back to the East End are also said to have sung the song. The choir's spontaneous recital may be the origin of the tradition of singing the song before cup finals.[30]
The hymn has also been sung prior to the kick-off at every Rugby League Challenge Cup Final since 1929.[31]
In the movie 28 Days Later, a version performed by Perri Alleyne is played during a scene where Cillian Murphy's character Jim finds his parents passed away in their bedroom.
In the movie A Bridge Too Far, wounded British Soldiers in the failed Operation Market Garden sang "Abide with Me" while awaiting capture by the Germans in the closing credits of the film.
In the Doctor Who episode Gridlock, the song was the usual subject of the Daily Contemplation. It was also sung by the drivers of New New York as they departed the Motorway after they were freed by the Tenth Doctor.
Several instrumental renditions of the melody appear in Assassin's Creed Syndicate as ambient music, notably when the character is at the top of certain synchronization points, and is played by an ensemble near a small park.
The Victorian Poet Laureate Alfred, Lord Tennyson, according to Francis Turner Palgrave, on reading "Abide with Me", "was deeply impressed by its solemn beauty; remarking that it wanted very little to take rank among the really perfect poems of our language".[35]
In Mark Valentine's short story “Vain Shadows Flee” a character in the story often sings, hums, or mutters this Christian hymn, and the story of its composition is given.
^Bryan, Dora (2005). Dora Bryan's Tapestry Tales. Hymns Ancient and Modern Ltd. p. 45.
^Lundbom, Jack R. (2015). On the Road to Siangyang: Covenant Mission in Mainland China 1890–1949. Eugene, Oregon: Pickwick Publications. p. 30. ISBN978-1-4982-3529-7.
.jpg)
