An older man, played by Paul Dooley, tries romancing a younger woman, played by Marta Heflin. She is part of a travelling band of bohemian musicians who perform gigs in outdoor arenas around the country. He joins them on the road and tries to fit into their communal lifestyle. The film features multiple musical numbers.
The role of Sheila Shea was originally written for Sandy Dennis. Paul Dooley was seriously allergic to cats though, and when cat-lover Dennis would come to the script readings with up to five cats at a time, he was briefly hospitalized. As a result, Allan Nicholls re-wrote the role of Sheila Shea from an Earth Mother type to the young singer/groupie played by Marta Heflin.
The band depicted in the film, Keepin' 'Em Off the Streets, was a real group consisting of actors and singers who had previously worked with Nicholls on Broadway musicals. They had been broken up for a time but reunited specifically for the film.[2]
"Don't Take Forever" by Allan Nicholls, B.G. Gibb and Tony Berg
"Let the Music Play" by Allan Nicholls and Otis Stephens
"Goodbye Friends" by Allan Nicholls
Reception
Roger Ebert gave the film two-and-a-half stars out of four and wrote: "The movie looks like several good ideas for several movies, made all at once and regardless of whether the pieces fit easily together. That's too bad, because the movie's got so many interesting things in it, so many original characters and, yes, so much interesting music that it shouldn't have been allowed to become such a stylistic confusion."[3]Janet Maslin of The New York Times was negative, writing, "If Mr. Altman keeps on operating at such a small fraction of his powers, his masterworks may begin to look more and more like happy accidents."[4]Variety wrote, "Immensely likeable in some parts, and a complete turn-off in others, 'Perfect Couple' reaffirms both Altman's intelligence and his inaccessibility."[5]Charles Champlin of the Los Angeles Times called the film "perhaps the least attractive and least interesting movie Altman has ever made. It is also what his movies never have been, which is dull."[6] Bruce McCabe of The Boston Globe stated, "I don't want to go so far as to say that this film is Robert Altman's creative death knell but it's plain that he's in deep trouble ... Simply put, Altman doesn't seem to be able to tell a story, any kind of story, any more."[7]Penelope Gilliatt of The New Yorker wrote, "This is not a closely thought-out film, or even a fluent one. Altman may be working too fast. The picture is not packed, in dialogue or characterization."[8]
References
^Aubrey Solomon, Twentieth Century Fox: A Corporate and Financial History, Scarecrow Press, 1989 p259
