The comic book series was scripted by fantasy author Daniel Abraham and drawn by Tommy Patterson. It is intended to follow the story and atmosphere of the novel closely, at a rate of about a page of art for each page of text, and was projected to cover 24 issues of 29 pages each. George R.R. Martin advised Daniel Abraham on aspects of the adaptation.[2]
In an Ignite presentation of the series' development process, Abraham said that the major challenges in creating the adaptation were:[3]
how to convey the novel's substantial amount of exposition and dialogue in a manner appropriate to the medium,
The Making of A Game of Thrones: The Graphic Novel: Volume Four
Reception
The series currently holds a score of 6.4 out of 10 on the review aggregator website Comic Book Roundup, based on 26 total reviews for the series' 24 published issues. The highest-rated issue was #4, with a score of 9.6 derived from one review, while the lowest is issue #23, with a score of 2.0, also based on one review.[7]
Initial reviews of the adaptation were mixed. IGN rated the first issue as "passable", acknowledging the writing and art as competent, but considered the character design to be "overly pretty and slightly exaggerated" and the series as a whole to lack added value with respect to either the original novel or the HBO series.[8]Weekly Comic Book Review gave the first issue a "B−", appreciating Patterson's art but finding the colors to be inappropriately bright and shiny.[9]Broken Frontier reviewed the "enjoyable adaption" favorably, but asked for "a tighter focus on characters over plot points, and a more serious take on the art".[10] While they appreciated Patterson's settings, they considered that his art dipped in quality when it came to facial expressions, making characters appear distracting and misshapen.[11]
Comic bloggers Geek of Doom praised the comic, concluding that it communicated the book's depth better than the TV series did.[4] The Courier News's reviewer, on the other hand, dismissed the adaptation as presenting "a world filled with fantasy cliches, void of style and indistinguishable from any other mediocre book dubiously depicting the middle ages".[12]