The film is structured in 24 chapters of "Frames" usually set in a fixed camera position filming a scene of nature or the seashore. The 'action' of each Frame is highly constrained and often focuses on either one or two animals either casually interacting or possibly vaguely interacting with one another. The opening Frame depicts the oil masterpiece by Bruegel of Hunters in the Snow and selectively animates the actions of one of the animals or birds depicted by Bruegel by superimposing movement upon Brugel's original canvas to suggest motion and life in process. The remainder of the Frames are fully grounded in real world depictions from a fixed camera perspective for the duration of the Frame, and center on various aspects of nature and wildlife.
On review aggregator website Rotten Tomatoes, the film has an approval rating of 92% based on 53 reviews, with an average rating of 7.6/10. The website's critical consensus reads, "24 Frames offers Kiarostami fans one final, affecting reminder of what made this filmmaker a talent to treasure."[5] On Metacritic, which assigns a weighted average rating to reviews, the film has a weighted average score of 77 out of 100, based on 15 critics, indicating "generally favorable reviews".[6]
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