AllMusic reviewer Michael G. Nastos stated "Chambers was allowed to put his bass on top, become a leader in his own right, and play lead melodies with a clear, ringing, well enunciated tone. 1st Bassman is anchored by rising stars from Detroit such as Yusef Lateef, Curtis Fuller ... The emphasis on the compositions of Lateef all display a spare construct, rearing the horns to a marginal level except for solos, allowing Chambers to take care of business and control the shaping of the melodies, with little unison play involved. ... This CD and its companion piece Go complement the preceding Blue Note sessions, comprising a small but potent body of work that few bassists have produced in modern jazz".[4] Reviewing The Complete Vee Jay Paul Chambers/Wynton Kelly Sessions 1959-61 for All About Jazz C. Michael Hovan said "there seems to be some very perceptible growth in Chamber’s ability to move the date beyond your average blowing session. All the tunes are by Yusef Lateef and he manages to develop interesting structures that stimulate the creative juices of a fantastic sextet".[6] In JazzTimesHarvey Pekar wrote "The soloists here do a fine job of making their work consistent with the character of the compositions. Chambers’ work is prominently featured, and he plays thoughtfully as well as exhibiting his vaunted chops".[7]
Track listing
All compositions by Yusef Lateef except where noted
