On Jambands.com, Brian Robbins wrote, "Listen: if somehow you've missed crossing paths with the New Riders of the Purple Sage since their 2005 renaissance, then you need to understand something. This is not a band of tired, tie-dyed troubadours seeing out their later years, going through the motions and rehashing their greatest hits — these crazy bastards are still full of life; full of fire; full of music. 17 Pine Avenue is the latest round of proof: a killer studio album featuring a dozen cuts that show off the depth of the band's talent and their passion for what they're doing. In short, this is no oldies band, boys and girls — this is a happening thang.... Getting older? Who says? I'll have whatever they're having, barkeep."[6]
On AcousticMusic.com, Mark S. Tucker said, "With 27 albums and 9 compilations under their belt, you could say the New Riders of the Purple Sage have been pretty damn successful, and this latest release, 17 Pine Avenue, does nothing to tarnish that record—in fact pretty much epitomizes what the ensemble has always been about—being a very impressive disc that can still boast the presence of founding members David Nelson and Buddy Cage along with the same three cats who made 2009's Where I Come From a success.... Not a cut here is less than superb, and if there's any justice in the music world, releases like this will serve to reinvigorate the fading cowpunk movement 'cause this one's going to stun listeners in their tracks."[7]
On Allmusic, J. Poet wrote, "Longtime Grateful Dead lyricist Robert Hunter contributes words to seven of the album's 12 tracks, bringing his customary psychedelic sheen to the material.... "Fivio" is a triumphant love song that's a reinvention of the traditional Irish tune popularized by the Clancy Brothers and features Michael Falzarano's chiming guitar and sighing pedal steel by Cage. "Suite at the Mission" is a cryptic meditation on life's vicissitudes full of dark humor; it's marked by more sparkling pedal steel from Cage and a world-weary vocal from Nelson. The title track is a bluesy shuffle crammed with mind-bending images that compares favorably to the Dead classic "Truckin'". It's one of the album's strongest songs and Nelson delivers it with a jaunty, insouciant air."[3]
