In 1930 the Belgian Robert Denoël and the American Bernard Steele (1902–1979), founded Éditions Denoël-Steele, later shortened to Éditions Denoël.[1]:228 It had its first success in 1932 with Céline's Voyage au bout de la nuit. Other early success include Louis Aragon'sLes Cloches de Bâle (1934), Antonin Artaud'sHéliogabale ou l'anarchiste couronné (1934) and Céline's Mort à crédit (1936).[citation needed]
Denoël can be considered unusual with respect to its diverse choice of publications. Until May 1940, for example, it published an Anti-German political magazine as well as the anti-Semiticpamphlets of Céline and Lucien Rebatet. Bernard Steele left the company because of Céline's pamphlet Mea culpa (1936).[citation needed] Robert Denoël was "openly supportive of Nazi Germany" and the company was known for its collaborationism during the German occupation of Paris.[2] The company received capital from the Germans and published pro-Nazi books, including "anti-Semitic manuals [ . . . ], a collection of Hitler's speeches, and the two most famous anti-Semitic literary works of the time: a new edition of Céline's Bagatelles pour un massacre (1937) and Lucien Rebatet's Les Déscombres".[3]:161 During those same years, however, they also advertised "well-known authors of the left" and published the works of the Jewish author Elsa Triolet.[3]:161
Denoël was murdered on 2 December 1945 while changing a wheel on his car.[4][5]:xi The circumstances surrounding his death were mysterious, and it was "possible that he was assassinated for political reasons";[4] the police officially listed it as a "random crime of violence".[5]:xi Following his death, Denoël's mistress, Jeanne Loviton, became the legal owner of the company.[6]:37 In 1951 she sold a 90 percent stake of the company to Gaston Gallimard, "Denoël's arch enemy and publishing rival".[5]:301