Musik elektroakustik

Musik elektroakustik adalah genre seni musik Barat yang menggunakan teknologi untuk memanipulasi warna nada suara akustik, terkadang dengan menggunakan pemrosesan sinyal audio, seperti reverb atau harmonisasi, pada instrumen akustik.^[1] Genre ini mulai populer pada pertengahan abad ke-20, setelah populernya penggabungan produksi suara listrik ke dalam komposisi musik. Perkembangan awal dalam komposisi musik elektroakustik selama abad ke-20 dikaitkan dengan aktivitas Groupe de recherches musicales di ORTF, Paris, yang merupakan basecamp dari musique concrète, Studio Musik Elektronik di Cologne, yang berfokus pada komposisi Elektronische Musik, dan Columbia-Princeton Electronic Music Center di New York City, dimana musik tape, musik elektronik, dan musik komputer banyak dieksplorasi. Instrumen musik elektronik praktis mulai muncul pada awal 1900-an.

Referensi

^ Staff n.d.

Kutipan

Anon. n.d. "Avant-Garde » Modern Composition » Tape Music". AllMusic.com (accessed 18 May 2017).
Boreal Electro Acoustic Music Society announcement. 2012 [1]^{[perlu rujukan lengkap]}
Chaudron, André. n.d. "Williams Mix" (Accessed 9 July 2011).
Collins, Nicolas. 2006. Handmade Electronic Music: The Art of Hardware Hacking. New York: Routledge. ISBN 0-415-97592-1 (pbk).
Eimert, Herbert. 1957. "What is Electronic Music?" Die Reihe 1 [English edition] ("Electronic Music"): 1–10.
Holmes, Thom. 2008. "Early Synthesizers and Experimenters". In his Electronic and Experimental Music: Technology, Music, and Culture, third edition. New York: Routledge. ISBN 978-0-415-95781-6 (cloth); ISBN 978-0-415-95782-3 (pbk), (accessed 4 June 2011).
Midgette, Anne. 2004. "Noises Off! Making a Boombox Cacophony". The New York Times (20 December).
Morawska-Büngeler, Marietta. 1988. Schwingende Elektronen: Eine Dokumentation über das Studio für Elektronische Musik des Westdeutschen Rundfunk in Köln 1951–1986. Cologne-Rodenkirchen: P. J. Tonger Musikverlag.
Staff (n.d.). "Electro-Acoustic: Overview". AllMusic. Diakses tanggal 26 December 2019.
Stockhausen, Karlheinz. 1996. "Electroacoustic Performance Practice", translated by Jerome Kohl. Perspectives of New Music 34, no. 1 (Fall): 74–105.
Ungeheuer, Elena. 1992. "Wie die elektronische Musik „erfunden" wurde...: Quellenstudie zu Werner Meyer-Epplers musikalische Entwurf zwischen 1949 und 1953." Kölner Schriften zur Neuen Musik 2, edited by Johannes Fritsch and Dieter Kämper. Mainz: B. Schott's Söhne. ISBN 3-7957-1891-0.

Pranala luar

eContact!. Freely available online, four themed issues published each year by the Canadian Electroacoustic Community.
"Electroacoustic Bibliography" published in eContact! 8.4 – Ressources éducatives / Educational Resources (Montréal: CEC), an annotated list of journals publishing articles related to electroacoustics.

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